Bruce Davidson

Bruce Davidson
To artist biography

Bruce Davidson

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

This is the limited edition with print of the St Anne's 2003 revised edition.

Compared with the 1970 edition, this version featured over 20 previously unreleased images, richer tritone plates, and an updated foreword by neighborhood activist Mildred Feliciano.

This is not the 2010 2nd printing.

2nd Ed. Includes 40 additional photos not in 1986 Ed. 1st Ed. Was in Parr/Badger Vol 2

This is the first St Anne's 2003 revised edition, first printing of 3000 copies (not the second printing of 2000 copies). Very slight toning to page extremities, acetate DJ is crinkled on spine with a 1-cm tear. Small bump to bottom right edge (mainly on back cover).

Colophon states 1st edition, though it is a larger-format reprint of the 2005 edition.

Edition:
Open for 7 days in 2020
Sold Out
Signed on label on prin'ts recto
Year of work:
1980
Image size:
140 x 950 mm
Print size:
152 x 152 mm
Printed in
2020
Framed size:
Provenance:
Magnum Square Prints
Condition:
Pristine

Open edition limited in time From Oct 19 to Oct 25 2020.

Literature and Collections:

Subway, (Aperture, 1986; St Anne's, 2003, Aperture, 2011)

Edition:
Open for 5 days from Oct 28th to Nov 1st 2019
Sold Out
Signed on label on print's recto
Year of work:
1980
Image size:
140 x 95 mm
Print size:
152 x 152 mm
Printed in
2019
Framed size:
Provenance:
Magnum Square Prints
Condition:
Pristine

Open edition limited in time from Oct. 28 to Nov 1 2019.

Literature and Collections:
Edition:
Open for 5 days
Sold Out
Signed on back of the print.
Year of work:
1959
Image size:
13.8 x 9.2 cm
Print size:
152 x 152 mm
Printed in
2018
Framed size:
Provenance:
Magnum Square Prints
Condition:
Pristine

Open edition limited in time from Oct. 29 to Nov 2nd 2018.

Literature and Collections:
Edition:
Printers proof from an edition of 10 + AP
Signed in pencil on the verso
Year of work:
1980
Image size:
375 x 567 mm
Print size:
505 x 603 mm
Printed in
2006
Framed size:
Provenance:
Artist
Dye transfer print from the Guy Stricherz lab.
Condition:
Excellent
Literature and Collections:

Steidl/Aperture, Bruce Davidson: Subway, p. 42
Steidl, Bruce Davidson: In Color, p. 128 (one of the 5 Subway photographs personally selected by Davidson).

Edition:
Open for 4 days
Sold Out
Signed on the back of the print.
Year of work:
1980
Image size:
137 x 93 mm
Print size:
152 x 152 mm
Printed in
2017
Framed size:
Provenance:
Magnum Square Prints
C-Print
Condition:
Pristine

Open edition limited in time for 4 days from June 5th to june 9th 2017

Literature and Collections:
No items found.
No items found.

Bruce Davidson – Humanist Documentary Photographer

Bruce Davidson (b. 1933) is a renowned American photographer celebrated for his deeply empathetic, immersive approach to social documentary photography. A longtime member of Magnum Photos, Davidson has spent over six decades chronicling the lives of marginalized communities and overlooked individuals with unwavering intimacy and respect.

Born in Oak Park, Illinois, Davidson studied photography at the Rochester Institute of Technology and Yale University before being drafted into the U.S. Army. In 1958, at the age of 24, he joined Magnum Photos, becoming one of its youngest members.

Davidson’s hallmark is his long-form, emotionally committed projects, including:

  • Brooklyn Gang (1959): A raw look into the lives of rebellious teenagers in postwar Brooklyn.
  • East 100th Street (1966–68): A penetrating series documenting residents of a poverty-stricken Harlem block, photographed over two years with large-format cameras.
  • Subway (1980): Vivid color portraits of New York City subway riders and the underground atmosphere during a time of decay and crime.
  • Time of Change (1961–65): A powerful record of the American Civil Rights Movement, including marches, protests, and intimate moments in the lives of activists.

Davidson’s work is distinguished by its emotional depth, classical composition, and a strong sense of social conscience. He often embedded himself for months or years within the communities he photographed, cultivating trust and revealing human stories beyond headlines.

His photographs are held in major collections, including the MoMA, Metropolitan Museum of Art, and Smithsonian Institution, and he has published numerous influential monographs.

Through his lens, Bruce Davidson has consistently advocated for dignity, compassion, and understanding, solidifying his legacy as one of the greatest humanist photographers of our time.