Art & the Printed Matter

Sophie Calle
Thomas Demand
Sarah Lucas
Massimo Vitali
Keld Helmer-Petersen
Nicolai Howalt
Peter Hujar
Boris Mikhailov
Lawrence Weiner
Katrien de Blauwer
Wout Berger
Greg Girard
Paul Kooiker
Helen Levitt
André Kertész
Yuki Onodera
Jeff Koons
Sigmar Polke
Carolle Benitah
Jason Evans
Walid Raad
Philip Lorca diCorcia
Bruce Davidson
David Maisel
Thomas Struth
David Levinthal
Mimi Plumb
Daniel Shea
Pacifico Silano
Naoya Hatakeyama
Jamel Shabazz
Bruce Gilden
Nobuyoshi Araki
Bevan Davies
Jeff Burton
Vincent Delbrouck
Larry Clark
Ricardo Cases
Hans-Christian Schink
Martin Parr
Alfred Stieglitz
Ina Jang
Richard Hawkins
Annette Kelm
Elger Esser
Awoiska Van Der Molen
Henry Wessel
Ernest Cole
Jem Southam
Samuel Fosso
Danny Lyon
Guanyu Xu
Jörg Sasse
Robert Heinecken
Pierre Le Hors
Alex Hubbard
Arielle Bobb-Willis
Jason Fulford
Jamie Hawkesworth
Thomas Sauvin
John Baldessari
Martin Boyce
Lars Tunbjörk
Pierre et Gilles
Simon Roberts
Lia Darjes
Takashi Homma
Alex Prager
Stephen Shore
Bernd & Hilla Becher
Robert Adams
Erwin Olaf
Jacob Aue Sobol
Trine Søndergaard
Marco Breuer
Gregory Crewdson
Sara Cwynar
Mark Ruwedel
Vasantha Yogananthan
Pixy Liao
Nan Goldin
Awol Erizku
Juergen Teller
Mark Power
Marleen Sleeuwits
Katy Grannan
Wade Guyton
Daido Moriyama
Jean-Vincent Simonet
Toshio Shibata
Paul Graham
Willy Ronis
Tim Hetherington
Parisian apartment of an art collector

Building your own art collection or library of art books?

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or some direction on expanding your artbooks library?
or maybe appraise some photographs you own?

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Staged Photography
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Staged Photography

The "staged photography movement" refers to the practice of intentionally constructing scenes for a photograph, becoming a recognized artistic genre in the 1980s, though its roots go back to the 19th century...

If the Walls Could Talk...
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If the Walls Could Talk...

Photography often brushes against memory, not just as a record of what was, but as a way of sensing what lingers, what has faded, and what remains unsaid. Nowhere is this felt more sharply than in photographs of interiors devoid of people.

Symbol Image for German Photography

German Photography

The Influencers

Germany has long been a crucible of innovation in the arts,and photography stands as one of its most influential and globally resonant disciplines. From post-war documentation to conceptual abstraction, German photographers have continuously redefined the medium. At the heart of this movement lies a constellation of artists whose unique perspectives and technical prowess have left a lasting imprint on contemporary visual culture.

Symbol image for Japanese Photobooks

Japanese Photobooks

Visual language

The photobook occupies a revered place in the world of Japanese photography, serving not just as a means of distribution but as a conceptual and aesthetic object in itself. Japanese photographers have long embraced the photobook format as a personal and often provocative medium, pushing the boundaries of narrative, abstraction, and physical design. From the intimate to the political, these books trace a powerful lineage of artistic innovation, where each photographer adds a distinctive voice to a shared visual language.

Symbol image for American Photobooks

American Photobooks

A mirror of culture and concepts

The American photobook occupies a unique and evolving space in contemporary art, functioning not merely as a vessel for photographs but as a conceptual art form in itself. It is an object of narrative, experimentation, and cultural commentary. From Robert Frank’s seminal "The Americans"to today's digitally printed zines and artist books, the photobook has offered artists a portable, democratic format for challenging dominant narratives and reshaping visual culture. American artists such as Ed Ruscha, Alec Soth, and Todd Hido have harnessed this form to explore geography, identity, and the poetics of everyday life, while others—like Wade Guyton and Christopher Wool—have used it to interrogate the materiality of image-making itself.

Art Advisory


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