Art & the Printed Matter

Hans-Christian Schink
Coke Wisdom O'neil
Martin Parr
Mona Kuhn
Awol Erizku
Catherine Opie
Jason Nocito
Keizo Kitajima
Michael Wolf
Gregory Halpern
Walter Pfeiffer
Erik Kessels
Hiroshi Sugimoto
Takuma Nakahira
Guy Tillim
Beat Streuli
Yoshinori Mizutani
Andreas Gefeller
Andreas Magdanz
Lazló Moholy-Nagy
Alex Hubbard
Daniel Gordon
Sébastien Girard
Meryl Meisler
Sanle Sory
William Christenberry
Marleen Sleeuwits
Laurenz Berges
Wade Guyton
Masao Gozu
Futoshi Miyagi
Awoiska Van Der Molen
Helen Levitt
Katrien de Blauwer
Bryan Graf
Tacita Dean
Aaron Rothman
Chris Killip
Eiji Ohashi
Jason Fulford
Jörg Sasse
Alice Quaresma
Richard Prince
John Edmonds
Rachel Whiteread
Mike Mandel
Alex Prager
Xavier Veilhan
Kyle Meyer
Alex Majoli
David Levinthal
Lee Baldwin
William Klein
Bertien Van Manen
Katy Grannan
Guy Bourdin
Yuki Onodera
Bill Henson
Edgar Martins
Ricardo Cases
Cheyney Thompson
Torbjørn Rødland
Idris Khan
Massimo Vitali
Uta Barth
Bruce Gilden
Paul Graham
Jungjin Lee
Richard Misrach
Boris Mikhailov
Bevan Davies
Joe Deal
John Baldessari
Aaron Siskind
Jem Southam
Tim Hetherington
Jacob Aue Sobol
Cristina de Middel
Chad Moore
Joel Sternfeld
Mark Ruwedel
Emil-Otto Hoppé
Hans-Peter Feldmann
Jean-Michel Basquiat
Thomas Demand
Samuel Fosso
Dan Graham
Thomas Sauvin
Alex Yudzon
Parisian apartment of an art collector

Building your own art collection or library of art books?

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or some direction on expanding your artbooks library?
or maybe appraise some photographs you own?

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Staged Photography
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Staged Photography

The "staged photography movement" refers to the practice of intentionally constructing scenes for a photograph, becoming a recognized artistic genre in the 1980s, though its roots go back to the 19th century...

If the Walls Could Talk...
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If the Walls Could Talk...

Photography often brushes against memory, not just as a record of what was, but as a way of sensing what lingers, what has faded, and what remains unsaid. Nowhere is this felt more sharply than in photographs of interiors devoid of people.

Symbol Image for German Photography

German Photography

The Influencers

Germany has long been a crucible of innovation in the arts,and photography stands as one of its most influential and globally resonant disciplines. From post-war documentation to conceptual abstraction, German photographers have continuously redefined the medium. At the heart of this movement lies a constellation of artists whose unique perspectives and technical prowess have left a lasting imprint on contemporary visual culture.

Symbol image for Japanese Photobooks

Japanese Photobooks

Visual language

The photobook occupies a revered place in the world of Japanese photography, serving not just as a means of distribution but as a conceptual and aesthetic object in itself. Japanese photographers have long embraced the photobook format as a personal and often provocative medium, pushing the boundaries of narrative, abstraction, and physical design. From the intimate to the political, these books trace a powerful lineage of artistic innovation, where each photographer adds a distinctive voice to a shared visual language.

Symbol image for American Photobooks

American Photobooks

A mirror of culture and concepts

The American photobook occupies a unique and evolving space in contemporary art, functioning not merely as a vessel for photographs but as a conceptual art form in itself. It is an object of narrative, experimentation, and cultural commentary. From Robert Frank’s seminal "The Americans"to today's digitally printed zines and artist books, the photobook has offered artists a portable, democratic format for challenging dominant narratives and reshaping visual culture. American artists such as Ed Ruscha, Alec Soth, and Todd Hido have harnessed this form to explore geography, identity, and the poetics of everyday life, while others—like Wade Guyton and Christopher Wool—have used it to interrogate the materiality of image-making itself.

Art Advisory


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