Art & the Printed Matter

Christian Marclay
Jeff Koons
Alexander Gronsky
Erik Kessels
Bas Princen
Josef Koudelka
Geert Goiris
Jamie Hawkesworth
Alex Prager
Dike Blair
Edward Steichen
Guido Guidi
Chris Killip
Anne Collier
Mikhael Subotzky
Richard Prince
Stephane Couturier
Rosemarie Trockel
Jeff Burton
Michael Schmidt
Berenice Abbott
Jamel Shabazz
Zanele Muholi
Paul Graham
Vasantha Yogananthan
Martin Parr
Marina Gadonneix
Eberhard Havekost
David Levinthal
Marilyn Minter
Hiroshi Sugimoto
Letizia Le Fur
Daniel Shea
Jacques-Henri Lartigue
Paul Winstanley
Pierre et Gilles
Jan Koster
Rinko Kawauchi
Rachel Whiteread
Ai Weiwei
Toshio Shibata
Olaf Nicolai
Gregory Halpern
Lee Shulman aka The Anonymous Projects
Sam Falls
Valérie Belin
Roni Horn
Joel Sternfeld
Mishka Henner
Shen Wei
Yuki Onodera
Chad Moore
Lars Tunbjörk
Peter Sutherland
Jim Goldberg
Marina Abramović
Anthony Hernandez
Christopher Anderson
Robert Frank
Mona Kuhn
Jason Nocito
Ed Ruscha
Hal Fischer
Sze Tsung Leong
An-My Lê
Mark Borthwick
Cristina de Middel
Trine Søndergaard
Ina Jang
Gerlach en Koop
Bill Jacobson
Willy Ronis
Olivo Barbieri
Louise Lawler
Keisha Scarville
Marco Breuer
Maurizio Cattelan
Vik Muniz
Robert Heinecken
Jeff Wall
Andreas Gefeller
Bill Henson
Aaron Rothman
Alec Soth
Henry Wessel
Jean-Michel Basquiat
David Maisel
Paul Fusco
John Stezaker
Vincent Delbrouck
Terri Weifenbach
Lele Saveri
Yusuke Yamatani
Daisuke Yokota
Walker Evans
Parisian apartment of an art collector

Building your own art collection or library of art books?

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Staged Photography
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Staged Photography

The "staged photography movement" refers to the practice of intentionally constructing scenes for a photograph, becoming a recognized artistic genre in the 1980s, though its roots go back to the 19th century...

If the Walls Could Talk...
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If the Walls Could Talk...

Photography often brushes against memory, not just as a record of what was, but as a way of sensing what lingers, what has faded, and what remains unsaid. Nowhere is this felt more sharply than in photographs of interiors devoid of people.

Symbol Image for German Photography

German Photography

The Influencers

Germany has long been a crucible of innovation in the arts,and photography stands as one of its most influential and globally resonant disciplines. From post-war documentation to conceptual abstraction, German photographers have continuously redefined the medium. At the heart of this movement lies a constellation of artists whose unique perspectives and technical prowess have left a lasting imprint on contemporary visual culture.

Symbol image for Japanese Photobooks

Japanese Photobooks

Visual language

The photobook occupies a revered place in the world of Japanese photography, serving not just as a means of distribution but as a conceptual and aesthetic object in itself. Japanese photographers have long embraced the photobook format as a personal and often provocative medium, pushing the boundaries of narrative, abstraction, and physical design. From the intimate to the political, these books trace a powerful lineage of artistic innovation, where each photographer adds a distinctive voice to a shared visual language.

Symbol image for American Photobooks

American Photobooks

A mirror of culture and concepts

The American photobook occupies a unique and evolving space in contemporary art, functioning not merely as a vessel for photographs but as a conceptual art form in itself. It is an object of narrative, experimentation, and cultural commentary. From Robert Frank’s seminal "The Americans"to today's digitally printed zines and artist books, the photobook has offered artists a portable, democratic format for challenging dominant narratives and reshaping visual culture. American artists such as Ed Ruscha, Alec Soth, and Todd Hido have harnessed this form to explore geography, identity, and the poetics of everyday life, while others—like Wade Guyton and Christopher Wool—have used it to interrogate the materiality of image-making itself.

Art Advisory


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