Art & the Printed Matter

Trent Parke
Marilyn Minter
Henry Wessel
Geert Goiris
Larry Sultan
Olafur Eliasson
Issei Suda
Trine Søndergaard
Dan Graham
Edgar Martins
Kazuo Kitai
Tomás Saraceno
Wout Berger
Helen Levitt
Alex Yudzon
Greg Girard
Lawrence Weiner
Naoya Hatakeyama
Pierre Le Hors
Lorenzo Vitturi
John Gossage
Hernan Bas
Xavier Veilhan
Sohrab Hura
Louis Stettner
Rinko Kawauchi
Pacifico Silano
Ruth van Beek
Jim Goldberg
Iñaki Bonillas
Kikuji Kawada
Sarah Lucas
Jean-Vincent Simonet
Christopher Bucklow
Jeff Burton
Thomas Struth
Peter Piller
Alec Soth
Sigmar Polke
Alex Majoli
John Baldessari
Thomas Albdorf
John Edmonds
Omar Victor Diop
Zanele Muholi
Peter Funch
Walter Niedermayr
Alex Hubbard
Ron Jude
Stephen Gill
Robert Frank
Miles Aldridge
Stephen Shore
Carlo Valsecchi
An-My Lê
Robert Heinecken
Rob Hornstra
Farhad Moshiri
Nan Goldin
Motoyuki Daifu
Justine Kurland
Christo & Jeanne Claude
David Levinthal
Alexander Gronsky
Aaron McElroy
Meryl Meisler
Aaron Rothman
Dirk Braeckman
Vik Muniz
Rineke Dijkstra
Lars Tunbjörk
Valérie Belin
Daisuke Yokota
Stéphane Couturier
Elliott Erwitt
Hans-Peter Feldmann
Hiroshi Sugimoto
Chris Killip
Katy Grannan
Toshio Shibata
Viviane Sassen
Ren Hang
Anicka Yi
Jörg Sasse
Batia Suter
Eamonn Doyle
Julian Opie
Samuel Fosso
Richard Mosse
Guido Guidi
Stephan Keppel
Kyle Meyer
Christopher Williams
Berenice Abbott
Walid Raad
Parisian apartment of an art collector

Building your own art collection or library of art books?

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Staged Photography
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Staged Photography

The "staged photography movement" refers to the practice of intentionally constructing scenes for a photograph, becoming a recognized artistic genre in the 1980s, though its roots go back to the 19th century...

If the Walls Could Talk...
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If the Walls Could Talk...

Photography often brushes against memory, not just as a record of what was, but as a way of sensing what lingers, what has faded, and what remains unsaid. Nowhere is this felt more sharply than in photographs of interiors devoid of people.

Symbol Image for German Photography

German Photography

The Influencers

Germany has long been a crucible of innovation in the arts,and photography stands as one of its most influential and globally resonant disciplines. From post-war documentation to conceptual abstraction, German photographers have continuously redefined the medium. At the heart of this movement lies a constellation of artists whose unique perspectives and technical prowess have left a lasting imprint on contemporary visual culture.

Symbol image for Japanese Photobooks

Japanese Photobooks

Visual language

The photobook occupies a revered place in the world of Japanese photography, serving not just as a means of distribution but as a conceptual and aesthetic object in itself. Japanese photographers have long embraced the photobook format as a personal and often provocative medium, pushing the boundaries of narrative, abstraction, and physical design. From the intimate to the political, these books trace a powerful lineage of artistic innovation, where each photographer adds a distinctive voice to a shared visual language.

Symbol image for American Photobooks

American Photobooks

A mirror of culture and concepts

The American photobook occupies a unique and evolving space in contemporary art, functioning not merely as a vessel for photographs but as a conceptual art form in itself. It is an object of narrative, experimentation, and cultural commentary. From Robert Frank’s seminal "The Americans"to today's digitally printed zines and artist books, the photobook has offered artists a portable, democratic format for challenging dominant narratives and reshaping visual culture. American artists such as Ed Ruscha, Alec Soth, and Todd Hido have harnessed this form to explore geography, identity, and the poetics of everyday life, while others—like Wade Guyton and Christopher Wool—have used it to interrogate the materiality of image-making itself.

Art Advisory


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