Art & the Printed Matter

Greg Girard
Nick Relph
Rineke Dijkstra
Stephen Shore
Lin Zhipeng aka 223
Dan Holdsworth
Pierre Le Hors
Idris Khan
Bruce Gilden
Tim Hetherington
Guy Tillim
Richard Misrach
Stephan Keppel
Shen Wei
Sarah Morris
Rafal Milach
Mikhael Subotzky
Andy Warhol
Josiah McElheny
Eugene Atget
David Armstrong
Adam Broomberg
Pieter Hugo
Ina Jang
Simon Roberts
Sanle Sory
Jan Koster
Peter Funch
Hans-Peter Feldmann
Lise Sarfati
Hernan Bas
Iñaki Bonillas
Toshio Shibata
Christopher Anderson
Vik Muniz
Olivo Barbieri
Viviane Sassen
Issei Suda
Mayumi Hosokura
Meryl Meisler
Jacques-Henri Lartigue
Damien Hirst
Richard Hawkins
Norman Foster
Yoshiyuki Okuyama
Peter Piller
Olaf Nicolai
Maya Rochat
Jason Fulford
Stéphane Couturier
Marina Abramović
David Benjamin Sherry
Hannah Whitaker
Gabriel Orozco
Lee Friedlander
Tadao Ando
Kikuji Kawada
Laurenz Berges
Stephen Gill
Elliott Erwitt
Joel Meyerowitz
Stanley Wolukau-Wanambwa
Anicka Yi
Martin Boyce
Sanna Kannisto
Mårten Lange
Kim Boske
Joel Sternfeld
Daniel Buren
Jason Evans
Julie Cockburn
Paul Kooiker
André Kertész
Ernest Cole
Jacob Aue Sobol
Gerry Johansson
Thomas Sauvin
Robert Heinecken
Brassaï
Richard Renaldi
Trent Parke
Catherine Opie
Alex Majoli
Barbara Crane
Ruth van Beek
Misha de Ridder
Christopher Williams
Farah Al Qasimi
Lewis Baltz
Christo & Jeanne Claude
Peter Bialobrzeski
Sebastiaan Bremer
Bernd & Hilla Becher
Xavier Veilhan
Daniel Gordon
James Welling
Lorenzo Vitturi
Edward Burtynsky
Parisian apartment of an art collector

Building your own art collection or library of art books?

Art Advisory Services

You need advice getting started collecting photographs or art editions?
or some direction on expanding your artbooks library?
or maybe appraise some photographs you own?

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We're available in New York, Paris and California.

Staged Photography
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Staged Photography

The "staged photography movement" refers to the practice of intentionally constructing scenes for a photograph, becoming a recognized artistic genre in the 1980s, though its roots go back to the 19th century...

If the Walls Could Talk...
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If the Walls Could Talk...

Photography often brushes against memory, not just as a record of what was, but as a way of sensing what lingers, what has faded, and what remains unsaid. Nowhere is this felt more sharply than in photographs of interiors devoid of people.

Symbol Image for German Photography

German Photography

The Influencers

Germany has long been a crucible of innovation in the arts,and photography stands as one of its most influential and globally resonant disciplines. From post-war documentation to conceptual abstraction, German photographers have continuously redefined the medium. At the heart of this movement lies a constellation of artists whose unique perspectives and technical prowess have left a lasting imprint on contemporary visual culture.

Symbol image for Japanese Photobooks

Japanese Photobooks

Visual language

The photobook occupies a revered place in the world of Japanese photography, serving not just as a means of distribution but as a conceptual and aesthetic object in itself. Japanese photographers have long embraced the photobook format as a personal and often provocative medium, pushing the boundaries of narrative, abstraction, and physical design. From the intimate to the political, these books trace a powerful lineage of artistic innovation, where each photographer adds a distinctive voice to a shared visual language.

Symbol image for American Photobooks

American Photobooks

A mirror of culture and concepts

The American photobook occupies a unique and evolving space in contemporary art, functioning not merely as a vessel for photographs but as a conceptual art form in itself. It is an object of narrative, experimentation, and cultural commentary. From Robert Frank’s seminal "The Americans"to today's digitally printed zines and artist books, the photobook has offered artists a portable, democratic format for challenging dominant narratives and reshaping visual culture. American artists such as Ed Ruscha, Alec Soth, and Todd Hido have harnessed this form to explore geography, identity, and the poetics of everyday life, while others—like Wade Guyton and Christopher Wool—have used it to interrogate the materiality of image-making itself.

Art Advisory


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