Art & the Printed Matter

Eugene Atget
Tanya Marcuse
Daisuke Yokota
Ai Weiwei
Gordon Matta-Clark
Nick Waplington
Gregory Halpern
Vera Lutter
Daniel Gordon
Bill Henson
Sharon Core
Richard Renaldi
Yoshiyuki Okuyama
Jeff Wall
Clifford Prince King
Lars Tunbjörk
Robert Heinecken
Maya Rochat
Helmut Newton
Christopher Williams
Edward Burtynsky
Cheyney Thompson
Laurenz Berges
György Kepes
Christo & Jeanne Claude
Sophie Calle
Alex Katz
Jeff Burton
Zanele Muholi
Gregory Crewdson
Kazuo Kitai
Mike Brodie
Guy Bourdin
Meryl Meisler
Martin Parr
Eiji Ohashi
Katy Grannan
Gabriel Orozco
John Baldessari
JH Engström
Jessica Backhaus
Chris Killip
Edward Steichen
Brassaï
Andreas Magdanz
Willy Ronis
Larry Sultan
Marilyn Minter
Mishka Henner
Andreas Gefeller
Erik Kessels
Pixy Liao
Jeff Koons
Iñaki Bonillas
Guido Guidi
Marina Abramović
Miyako Ishiuchi
Florian Krewer
Emil-Otto Hoppé
André Cepeda
Linder Sterling
Stanley Wolukau-Wanambwa
Mauren Brodbeck
Candida Höfer
Hannah Whitaker
Anicka Yi
John Gossage
Samuel Fosso
William Eggleston
Bryan Graf
David Armstrong
James Casebere
Roni Horn
Shen Wei
Ed Ruscha
Christopher Bucklow
Eberhard Havekost
Richard Mosse
Hans-Peter Feldmann
Jason Fulford
Xavier Veilhan
Thomas Demand
Daniel Arsham
Robert Frank
Mona Kuhn
Lawrence Weiner
Terri Weifenbach
Luc Tuymans
Mark Borthwick
Tacita Dean
Nobuyoshi Araki
Boris Mikhailov
Joe Deal
Gary Hume
Olaf Nicolai
Henri Cartier-Bresson
Parisian apartment of an art collector

Building your own art collection or library of art books?

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Staged Photography
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Staged Photography

The "staged photography movement" refers to the practice of intentionally constructing scenes for a photograph, becoming a recognized artistic genre in the 1980s, though its roots go back to the 19th century...

If the Walls Could Talk...
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If the Walls Could Talk...

Photography often brushes against memory, not just as a record of what was, but as a way of sensing what lingers, what has faded, and what remains unsaid. Nowhere is this felt more sharply than in photographs of interiors devoid of people.

Symbol Image for German Photography

German Photography

The Influencers

Germany has long been a crucible of innovation in the arts,and photography stands as one of its most influential and globally resonant disciplines. From post-war documentation to conceptual abstraction, German photographers have continuously redefined the medium. At the heart of this movement lies a constellation of artists whose unique perspectives and technical prowess have left a lasting imprint on contemporary visual culture.

Symbol image for Japanese Photobooks

Japanese Photobooks

Visual language

The photobook occupies a revered place in the world of Japanese photography, serving not just as a means of distribution but as a conceptual and aesthetic object in itself. Japanese photographers have long embraced the photobook format as a personal and often provocative medium, pushing the boundaries of narrative, abstraction, and physical design. From the intimate to the political, these books trace a powerful lineage of artistic innovation, where each photographer adds a distinctive voice to a shared visual language.

Symbol image for American Photobooks

American Photobooks

A mirror of culture and concepts

The American photobook occupies a unique and evolving space in contemporary art, functioning not merely as a vessel for photographs but as a conceptual art form in itself. It is an object of narrative, experimentation, and cultural commentary. From Robert Frank’s seminal "The Americans"to today's digitally printed zines and artist books, the photobook has offered artists a portable, democratic format for challenging dominant narratives and reshaping visual culture. American artists such as Ed Ruscha, Alec Soth, and Todd Hido have harnessed this form to explore geography, identity, and the poetics of everyday life, while others—like Wade Guyton and Christopher Wool—have used it to interrogate the materiality of image-making itself.

Art Advisory


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