Art & the Printed Matter

Robert Frank
Olaf Nicolai
Rafal Milach
Gabriel Orozco
Miles Aldridge
Simon Roberts
Larry Clark
Gary Hume
Uta Barth
Vik Muniz
Alex Yudzon
David Benjamin Sherry
Aaron Siskind
JH Engström
Rineke Dijkstra
Jonathan Monk
Mayumi Hosokura
Jim Goldberg
Candida Höfer
Pieter Hugo
Bruce Davidson
Harry Callahan
Yusuke Yamatani
Walid Raad
Gregory Halpern
Bruce Gilden
Thomas Demand
Kikuji Kawada
Anicka Yi
Ed Ruscha
Richard Mosse
Bertien Van Manen
Garry Winogrand
Sascha Pflaeging
Cheyney Thompson
Daisuke Yokota
Peter Hujar
Susan Meiselas
Iñaki Bonillas
Meryl Meisler
Jaap Scheeren
Paul Strand
Takashi Murakami
Lee Friedlander
Rachel Whiteread
Michael Schmidt
Rinko Kawauchi
Mike Brodie
Hannah Whitaker
Jan Kempenaers
Zanele Muholi
Kim Boske
Alain Jacquet
Stephen Shore
Gerlach en Koop
Hans-Peter Feldmann
Stéphane Couturier
Daniel Shea
Sarah Morris
Olafur Eliasson
Cristina de Middel
Jason Evans
Richard Hawkins
Mark Ruwedel
JR
Yoshiyuki Okuyama
Kazuo Kitai
Omar Victor Diop
Christopher Wool
Julie Cockburn
David Levinthal
Taryn Simon
William Eggleston
Daniel Arsham
Matthew Brandt
Irving Penn
Keizo Kitajima
Mark Steinmetz
Torbjørn Rødland
Bill Henson
Eiji Ohashi
Jacques-Henri Lartigue
Guy Bourdin
Catherine Opie
Helmut Newton
Peter Bialobrzeski
Eugene Atget
Richard Renaldi
Alex Majoli
Axel Hütte
Trine Søndergaard
Tyler Mitchell
Edward Burtynsky
Matthew Pillsbury

To Plants (1976) by Gasho Yamamura is a rare self-published Japanese photobook that radically subverts traditional botanical photography.

Yamamura photographed his subjects during the daytime using a powerful strobe flash. This method artificially plunged the backgrounds into complete darkness, violently isolating the plants against stark, black voids. Stripped of their natural context, the flora takes on a raw, grotesque, and almost alien vitality. Rather than appearing as delicate objects of beauty, the plants seem to possess their own autonomous, aggressive wills, captured in high-contrast monochrome.

The book utilized a newly developed and highly specialized printing technique known as "Fineness Printing" (ファイネス印刷) to achieve extraordinarily deep, rich blacks, which amplifies the dramatic contrast and imposing presence of the subjects.

Foster street (Manhattan), 3pm October 15, 1972 by Masao Gozu is a classic example of the Japanese-American photographer’s meticulous and structured documentation of 1970s New York.

After moving to New York from Japan in 1971, Gozu began a rigorous, decade-long project photographing the city's street-level windows and the people gazing out of them. This image is a hallmark of that typological approach.

By shooting squarely and directly at the facade, Gozu uses the architectural elements (the bricks, the sill, and the window frame itself) as a physical border. This framing device highlights the threshold between the private, domestic sphere inside and the gritty, public reality of 1970s New York outside.

Gozu's"Windows" series will be the focus of his first major US museum exhibition, "Masao Gozu: Windows and Bars," opening at MoMA PS1 onNovember 5, 2026.

Bushwick Sur Seine is a private archive based in Brooklyn, dedicated to fine art photography, rare photobooks, and printed matter. Grounded in a rigorous formalist approach, the collection explores the intersection of visual art and physical publishing, treating the printed image as a definitive sculptural object.

As a constantly evolving archive, we always have books and prints for sale. Feel free to visit our Private Sales Section to explore currently available works.

If you are an artist or a publisher, please contact us for inquiries or collaborations.

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