Art & the Printed Matter

Ren Hang
Andreas Magdanz
Hernan Bas
Christopher Wool
Sascha Pflaeging
Mimi Plumb
Sze Tsung Leong
Steve Kahn
Eugene Atget
Guido Guidi
Alex Yudzon
Joel Meyerowitz
Marleen Sleeuwits
Nadav Kander
Romain Laprade
Christopher Anderson
Larry Sultan
Marco Breuer
Lorenzo Vitturi
Boris Mikhailov
Keizo Kitajima
Hiroshi Sugimoto
Luigi Ghirri
Daisuke Yokota
Jamel Shabazz
Jonas Wood
Vera Lutter
Jacques-Henri Lartigue
Claire Tabouret
Alfred Stieglitz
Torbjørn Rødland
Bruce Gilden
Maurizio Cattelan
Daniel Buren
Aaron McElroy
Stéphane Couturier
Nan Goldin
Rachel Whiteread
Eamonn Doyle
Iñaki Bonillas
Joel Sternfeld
Stanley Wolukau-Wanambwa
Bernd & Hilla Becher
Louis Stettner
Anne Collier
David Benjamin Sherry
Mishka Henner
Antony Cairns
Coke Wisdom O'neil
Robert Adams
Paul Kooiker
Walker Evans
Wolfgang Tillmans
Lin Zhipeng aka 223
Stephan Keppel
Jochen Lempert
Alex Majoli
Cheyney Thompson
Bettina Grossman
Jungjin Lee
Garry Winogrand
Motoyuki Daifu
Daniel Arsham
Eberhard Havekost
Edgar Martins
Erik Kessels
Bruce Davidson
Dike Blair
Osamu Yokonami
Rinko Kawauchi
Jacob Aue Sobol
Marina Abramović
Hans-Peter Feldmann
Slava Mogutin
Brassaï
Greg Girard
Danny Lyon
Andreas Gefeller
Elad Lassry
Miyako Ishiuchi
Stephen Gill
Omar Victor Diop
Adam Broomberg
Maya Rochat
Farah Al Qasimi
Jason Evans
Luc Tuymans
Bill Sullivan
William Eggleston
Do Ho Suh
Carlo Valsecchi
Wade Guyton
Geert Goiris
Sara Cwynar
Brett Weston
Sanna Kannisto
Paola Pivi
Vik Muniz

Romain Laprade’s Hallways operates as a compelling investigation into the apartment building lobbies of Paris constructed throughout the 1970s. Long treated as transitional non-places or dated relics of mid-century urbanism, these domestic entryways embody a distinct era’s projected vision of modern luxury and material optimism.

Laprade approaches these interior environments with archival precision, cataloging their signature geometries, integrated planter beds, textured masonry, polished marble, and warm synthetic lighting. Rather than viewing these spaces through a lens of nostalgia, his compositions accentuate their enduring structural coherence and spatial tension, suggesting that these lobbies have persisted unchanged precisely because their original aesthetic ambition remains functionally and visually unmatched.

This work by Christo and Jeanne-Claude, which I've recently rehung, has always captivated me.

Completed in 1983, it is based off an interior designed by Mies van der Rohe in the Museum Haus Lange in Krefeld, which was the subject of the artists' transformative installation. By concealing the precise, austere interiors originally designed by the famous architect, the artists fundamentally altered the spatial experience of the building. This project highlights their enduring conceptual practice of temporary concealment, where the act of wrapping domestic and institutional spaces paradoxically reveals the underlying architectural volumes that are typically taken for granted.

I've always been fascinated by the collage elements on the actual print, most notably the hand-painted cloth that has been deliberately folded and wrinkled to mimic the draped floor area of the original site. Secured with staples and juxtaposed against brown wrapping paper that obscures the windows, the heavy, organic folds of the fabric create a textural contrast against the geometric discipline of the room.

Photo of bookshelves with art books

Art and the Printed Matter

Bushwick Sur Seine is a private archive based in Brooklyn, dedicated to fine art photography, rare photobooks, and printed matter. Grounded in a rigorous formalist approach, the collection explores the intersection of visual art and physical publishing, treating the printed image as a definitive sculptural object.

As a constantly evolving archive, we always have books and prints for sale. Feel free to visit our Private Sales Section to explore currently available works.

If you are an artist or a publisher, please contact us for inquiries or collaborations.

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