Art & the Printed Matter

Penelope Umbrico
Vera Lutter
Henry Wessel
Trent Parke
Aaron McElroy
Jason Nocito
Emil-Otto Hoppé
Gerlach en Koop
Keisha Scarville
Mikiko Hara
Michael Wolf
Bevan Davies
Helmut Newton
Letizia Le Fur
Tacita Dean
Mishka Henner
Miyako Ishiuchi
Vincent Delbrouck
Xavier Veilhan
Ai Weiwei
Jamel Shabazz
Hans-Peter Feldmann
Kazuo Kitai
Jeff Koons
Henri Cartier-Bresson
Mauren Brodbeck
Farhad Moshiri
Jochen Lempert
Matthias Hoch
Gregory Halpern
Alex Majoli
Christopher Anderson
Cartsen Höller
Jim Goldberg
Helen Levitt
Merry Alpern
Pierre Le Hors
Luc Tuymans
Anne Collier
Sunil Gupta
Julian Opie
Sébastien Girard
Lee Baldwin
Jason Evans
Shen Wei
Misha de Ridder
Andy Warhol
Claire Tabouret
Walid Raad
Boris Mikhailov
Laurenz Berges
Doug Rickard
Karl Blossfeldt
Harry Callahan
Paul Graham
Peter Hujar
Todd Hido
Larry Sultan
Alec Soth
Carolle Benitah
Ed Ruscha
Susan Meiselas
Stephen Shore
Louise Lawler
Jan Kempenaers
Robert Adams
Richard Hawkins
Daniel Buren
Sascha Pflaeging
Shomei Tomatsu
Ruth van Beek
Christopher Wool
Antony Cairns
Edgar Martins
Florian Krewer
Elger Esser
Edward Steichen
Daniel Shea
Cy Twombly
Lise Sarfati
Clifford Prince King
Valérie Belin
Tanya Marcuse
Ernest Cole
Zanele Muholi
Rafal Milach
Damien Hirst
Eamonn Doyle
Masao Gozu
Slava Mogutin
Irving Penn

To Plants (1976) by Gasho Yamamura is a rare self-published Japanese photobook that radically subverts traditional botanical photography.

Yamamura photographed his subjects during the daytime using a powerful strobe flash. This method artificially plunged the backgrounds into complete darkness, violently isolating the plants against stark, black voids. Stripped of their natural context, the flora takes on a raw, grotesque, and almost alien vitality. Rather than appearing as delicate objects of beauty, the plants seem to possess their own autonomous, aggressive wills, captured in high-contrast monochrome.

The book utilized a newly developed and highly specialized printing technique known as "Fineness Printing" (ファイネス印刷) to achieve extraordinarily deep, rich blacks, which amplifies the dramatic contrast and imposing presence of the subjects.

Foster street (Manhattan), 3pm October 15, 1972 by Masao Gozu is a classic example of the Japanese-American photographer’s meticulous and structured documentation of 1970s New York.

After moving to New York from Japan in 1971, Gozu began a rigorous, decade-long project photographing the city's street-level windows and the people gazing out of them. This image is a hallmark of that typological approach.

By shooting squarely and directly at the facade, Gozu uses the architectural elements (the bricks, the sill, and the window frame itself) as a physical border. This framing device highlights the threshold between the private, domestic sphere inside and the gritty, public reality of 1970s New York outside.

Gozu's"Windows" series will be the focus of his first major US museum exhibition, "Masao Gozu: Windows and Bars," opening at MoMA PS1 onNovember 5, 2026.

Bushwick Sur Seine is a private archive based in Brooklyn, dedicated to fine art photography, rare photobooks, and printed matter. Grounded in a rigorous formalist approach, the collection explores the intersection of visual art and physical publishing, treating the printed image as a definitive sculptural object.

As a constantly evolving archive, we always have books and prints for sale. Feel free to visit our Private Sales Section to explore currently available works.

If you are an artist or a publisher, please contact us for inquiries or collaborations.

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