Art & the Printed Matter

Mårten Lange
Alex Majoli
Laurie Simmons
Annette Kelm
Sarah Pickering
Helmut Newton
Awol Erizku
Roni Horn
Gabriel Orozco
Issei Suda
Joel Sternfeld
Slava Mogutin
Christopher Wool
Viviane Sassen
Sharon Core
Daisuke Yokota
Meryl Meisler
Andreas Magdanz
Mona Kuhn
Bertien Van Manen
Tania Franco Klein
Carolle Benitah
Mishka Henner
James Casebere
Robert Heinecken
Gregory Halpern
Willy Ronis
Guanyu Xu
Toshio Shibata
André Cepeda
Mike Brodie
Robert Mapplethorpe
Cy Twombly
Sascha Pflaeging
Gerlach en Koop
Lorenzo Vitturi
Hal Fischer
Luigi Ghirri
Louise Lawler
Sarah Morris
Bernd & Hilla Becher
Doug Rickard
An-My Lê
Elad Lassry
Gasho Yamamura
Farah Al Qasimi
Jonas Wood
Samuel Fosso
Pixy Liao
Sohrab Hura
Dan Graham
Daniel Buren
Marilyn Minter
Gerhard Richter
David Maisel
Jamie Hawkesworth
Paul-Mpagi Sepuya
Ari Marcopoulos
Keisha Scarville
William Klein
Ed Ruscha
John Edmonds
Axel Hütte
Pierre et Gilles
Sarah Lucas
Lars Tunbjörk
André Kertész
Takashi Homma
Richard Renaldi
Nick Waplington
Lee Shulman aka The Anonymous Projects
Alec Soth
Bryan Graf
Daniel Shea
Jacques-Henri Lartigue
Gerry Johansson
John Stezaker
Wolfgang Tillmans
Andy Warhol
Antony Cairns
Olivo Barbieri
Maurizio Cattelan
Osamu Yokonami
Ron Jude
Irving Penn
Philip Lorca diCorcia
Michael Wolf
Ernest Cole
Boris Mikhailov
Carlo Valsecchi
Sanna Kannisto
Cheyney Thompson
Alex Prager
Guy Tillim
Mark Borthwick
Aaron McElroy
Miyako Ishiuchi

To Plants (1976) by Gasho Yamamura is a rare self-published Japanese photobook that radically subverts traditional botanical photography.

Yamamura photographed his subjects during the daytime using a powerful strobe flash. This method artificially plunged the backgrounds into complete darkness, violently isolating the plants against stark, black voids. Stripped of their natural context, the flora takes on a raw, grotesque, and almost alien vitality. Rather than appearing as delicate objects of beauty, the plants seem to possess their own autonomous, aggressive wills, captured in high-contrast monochrome.

The book utilized a newly developed and highly specialized printing technique known as "Fineness Printing" (ファイネス印刷) to achieve extraordinarily deep, rich blacks, which amplifies the dramatic contrast and imposing presence of the subjects.

Foster street (Manhattan), 3pm October 15, 1972 by Masao Gozu is a classic example of the Japanese-American photographer’s meticulous and structured documentation of 1970s New York.

After moving to New York from Japan in 1971, Gozu began a rigorous, decade-long project photographing the city's street-level windows and the people gazing out of them. This image is a hallmark of that typological approach.

By shooting squarely and directly at the facade, Gozu uses the architectural elements (the bricks, the sill, and the window frame itself) as a physical border. This framing device highlights the threshold between the private, domestic sphere inside and the gritty, public reality of 1970s New York outside.

Gozu's"Windows" series will be the focus of his first major US museum exhibition, "Masao Gozu: Windows and Bars," opening at MoMA PS1 onNovember 5, 2026.

Bushwick Sur Seine is a private archive based in Brooklyn, dedicated to fine art photography, rare photobooks, and printed matter. Grounded in a rigorous formalist approach, the collection explores the intersection of visual art and physical publishing, treating the printed image as a definitive sculptural object.

As a constantly evolving archive, we always have books and prints for sale. Feel free to visit our Private Sales Section to explore currently available works.

If you are an artist or a publisher, please contact us for inquiries or collaborations.

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