Art & the Printed Matter

Adam Broomberg
Kourtney Roy
Rinko Kawauchi
Berenice Abbott
Katy Grannan
Lawrence Weiner
Erik Kessels
Pierre Le Hors
Elger Esser
Yuki Onodera
Meryl Meisler
Cindy Sherman
Todd Hido
Do Ho Suh
Jessica Backhaus
Toshio Shibata
Gerhard Richter
Matthew Pillsbury
David Levinthal
Eamonn Doyle
Joel Sternfeld
Batia Suter
Erwin Olaf
Andreas Gursky
Ai Weiwei
Marco Breuer
Bernd & Hilla Becher
Pacifico Silano
Bruce Gilden
Tania Franco Klein
Paul Strand
Jason Fulford
Norman Foster
Gordon Matta-Clark
Daniel Shea
Josef Schulz
Yoshiyuki Okuyama
James Casebere
Christopher Anderson
Roe Ethridge
Hal Fischer
Annette Kelm
Mark Ruwedel
Laurie Simmons
Alexander Gronsky
Julie Cockburn
Stephen Gill
Tim Hetherington
Peter Bialobrzeski
Kyle Meyer
Slava Mogutin
Lalla Essaydi
Boris Mikhailov
Anthony Hernandez
Edgar Martins
Vincent Delbrouck
John Baldessari
Hiroshi Sugimoto
Ron Jude
Keisha Scarville
Robert Heinecken
Josef Koudelka
Eiji Ohashi
Jonas Wood
Paola Pivi
Jonathan Monk
Edward Steichen
Bill Sullivan
William Eggleston
Olaf Nicolai
Mimi Plumb
Takashi Murakami
Tanya Marcuse
Sam Falls
Keld Helmer-Petersen
Brassaï
Michael Schmidt
Bevan Davies
Alfred Stieglitz
Gabriel Orozco
Antoine D'Agata
Carolle Benitah
Ari Marcopoulos
Chad Moore
Julian Opie
Florian Krewer
Sharon Core
Vik Muniz
Hannah Whitaker
Bill Henson
John Divola
Hans-Christian Schink
Andreas Magdanz
Josiah McElheny
Parisian apartment of an art collector

Building your own art collection or library of art books?

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or some direction on expanding your artbooks library?
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Staged Photography
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Staged Photography

The "staged photography movement" refers to the practice of intentionally constructing scenes for a photograph, becoming a recognized artistic genre in the 1980s, though its roots go back to the 19th century...

If the Walls Could Talk...
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If the Walls Could Talk...

Photography often brushes against memory, not just as a record of what was, but as a way of sensing what lingers, what has faded, and what remains unsaid. Nowhere is this felt more sharply than in photographs of interiors devoid of people.

Symbol Image for German Photography

German Photography

The Influencers

Germany has long been a crucible of innovation in the arts,and photography stands as one of its most influential and globally resonant disciplines. From post-war documentation to conceptual abstraction, German photographers have continuously redefined the medium. At the heart of this movement lies a constellation of artists whose unique perspectives and technical prowess have left a lasting imprint on contemporary visual culture.

Symbol image for Japanese Photobooks

Japanese Photobooks

Visual language

The photobook occupies a revered place in the world of Japanese photography, serving not just as a means of distribution but as a conceptual and aesthetic object in itself. Japanese photographers have long embraced the photobook format as a personal and often provocative medium, pushing the boundaries of narrative, abstraction, and physical design. From the intimate to the political, these books trace a powerful lineage of artistic innovation, where each photographer adds a distinctive voice to a shared visual language.

Symbol image for American Photobooks

American Photobooks

A mirror of culture and concepts

The American photobook occupies a unique and evolving space in contemporary art, functioning not merely as a vessel for photographs but as a conceptual art form in itself. It is an object of narrative, experimentation, and cultural commentary. From Robert Frank’s seminal "The Americans"to today's digitally printed zines and artist books, the photobook has offered artists a portable, democratic format for challenging dominant narratives and reshaping visual culture. American artists such as Ed Ruscha, Alec Soth, and Todd Hido have harnessed this form to explore geography, identity, and the poetics of everyday life, while others—like Wade Guyton and Christopher Wool—have used it to interrogate the materiality of image-making itself.

Art Advisory


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