Art & the Printed Matter

Jungjin Lee
Barbara Crane
Laurie Simmons
Joel Sternfeld
Pacifico Silano
Richard Prince
Jörg Sasse
Jamel Shabazz
Larry Sultan
Berenice Abbott
Darren Almond
Emil-Otto Hoppé
Batia Suter
Brian Ulrich
Walker Evans
Awol Erizku
Gasho Yamamura
Gregory Halpern
Bill Sullivan
Robert Adams
Irving Penn
Christopher Wool
Paul-Mpagi Sepuya
Carolle Benitah
Simon Roberts
Wade Guyton
Farah Al Qasimi
Eiji Ohashi
Misha de Ridder
Christian Marclay
Valérie Belin
Lin Zhipeng aka 223
Raymond Depardon
Daniel Arsham
Alec Soth
Guido Guidi
Alex Prager
Daniel Buren
Sanna Kannisto
Miklos Gaal
Bruce Davidson
Bryan Graf
Uta Barth
Viviane Sassen
Sébastien Girard
Karl Blossfeldt
Naoya Hatakeyama
Larry Clark
Ron Jude
Peter Funch
Christo & Jeanne Claude
Josef Koudelka
Sarah Pickering
Jason Fulford
Lee Friedlander
Paul Kooiker
Kikuji Kawada
Karel Martens
György Kepes
Bertien Van Manen
Luc Tuymans
Katrien de Blauwer
Anne Collier
Jan Koster
Nan Goldin
Stephen Shore
Katy Grannan
Gerlach en Koop
Antony Cairns
Steve Kahn
Joel Meyerowitz
Richard Misrach
Vera Lutter
Andreas Gursky
Shomei Tomatsu
Roe Ethridge
Paul Fusco
Lee Shulman aka The Anonymous Projects
Lorenzo Vitturi
Keizo Kitajima
John Baldessari
Julian Opie
Eamonn Doyle
Daisuke Yokota
Alfred Stieglitz
Richard Mosse
Juergen Teller
Jochen Lempert
Osamu Yokonami
Do Ho Suh
Cheyney Thompson
Mickalene Thomas
Tim Hetherington
Gary Hume
Kourtney Roy
Philip Lorca diCorcia

Romain Laprade’s Hallways operates as a compelling investigation into the apartment building lobbies of Paris constructed throughout the 1970s. Long treated as transitional non-places or dated relics of mid-century urbanism, these domestic entryways embody a distinct era’s projected vision of modern luxury and material optimism.

Laprade approaches these interior environments with archival precision, cataloging their signature geometries, integrated planter beds, textured masonry, polished marble, and warm synthetic lighting. Rather than viewing these spaces through a lens of nostalgia, his compositions accentuate their enduring structural coherence and spatial tension, suggesting that these lobbies have persisted unchanged precisely because their original aesthetic ambition remains functionally and visually unmatched.

This work by Christo and Jeanne-Claude, which I've recently rehung, has always captivated me.

Completed in 1983, it is based off an interior designed by Mies van der Rohe in the Museum Haus Lange in Krefeld, which was the subject of the artists' transformative installation. By concealing the precise, austere interiors originally designed by the famous architect, the artists fundamentally altered the spatial experience of the building. This project highlights their enduring conceptual practice of temporary concealment, where the act of wrapping domestic and institutional spaces paradoxically reveals the underlying architectural volumes that are typically taken for granted.

I've always been fascinated by the collage elements on the actual print, most notably the hand-painted cloth that has been deliberately folded and wrinkled to mimic the draped floor area of the original site. Secured with staples and juxtaposed against brown wrapping paper that obscures the windows, the heavy, organic folds of the fabric create a textural contrast against the geometric discipline of the room.

Photo of bookshelves with art books

Art and the Printed Matter

Bushwick Sur Seine is a private archive based in Brooklyn, dedicated to fine art photography, rare photobooks, and printed matter. Grounded in a rigorous formalist approach, the collection explores the intersection of visual art and physical publishing, treating the printed image as a definitive sculptural object.

As a constantly evolving archive, we always have books and prints for sale. Feel free to visit our Private Sales Section to explore currently available works.

If you are an artist or a publisher, please contact us for inquiries or collaborations.

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