SOLD
Copyright ©
Lewis Baltz
or applicable right holders.
Poster
Prototype Works, Steidl, First edition, 2005, Plate 48;
Common Objects, Le Bal, 2014;
Prototype Works, Plate 66 (in the 2010 Steidl Works edition).
Prototype Works, Steidl, First edition, 2005, Plate 48;
Common Objects, Le Bal, 2014;
Prototype Works, Plate 66 (in the 2010 Steidl Works edition).
Fairfax, 1973 captures the austere, industrialized emptiness of the contemporary American commercial landscape, standing as a definitive example of the artist’s contribution to the landmark 1975 New Topographics movement.
Baltz turns his uncompromising, deadpan gaze toward the standardized architecture of business parks and utilitarian light-industrial spaces. The composition relies on a flat, frontal perspective that emphasizes the relentless geometry of industrial facades, corrugated metal siding, and asphalt surfaces. The harsh, even daylight flattens three-dimensional depth, stripping away dramatic shadow play in favor of a clinical, forensic objectivity. Through this rigorous framing, Baltz transforms banal architectural elements into an abstract, minimalist grid, exposing the quiet alienation inherent in corporate suburban sprawl.
This image was part of the Prototype Works series.
Fairfax, 1973 captures the austere, industrialized emptiness of the contemporary American commercial landscape, standing as a definitive example of the artist’s contribution to the landmark 1975 New Topographics movement.
Baltz turns his uncompromising, deadpan gaze toward the standardized architecture of business parks and utilitarian light-industrial spaces. The composition relies on a flat, frontal perspective that emphasizes the relentless geometry of industrial facades, corrugated metal siding, and asphalt surfaces. The harsh, even daylight flattens three-dimensional depth, stripping away dramatic shadow play in favor of a clinical, forensic objectivity. Through this rigorous framing, Baltz transforms banal architectural elements into an abstract, minimalist grid, exposing the quiet alienation inherent in corporate suburban sprawl.
This image was part of the Prototype Works series.
Prototype Works, Steidl, First edition, 2005, Plate 48;
Common Objects, Le Bal, 2014;
Prototype Works, Plate 66 (in the 2010 Steidl Works edition).
