Cristina de Middel

Cristina de Middel
To artist biography

Cristina de Middel

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

2015
with:
Edition:
1st numbered 44/100 in pencil on cardbox
Edition size:
100
Out of Print
Other edition(s):
Hand-bound, black leather cover with a buckle clasp, in a protective card box, 118pp, 11 concertina folds, 15 x 20 cm
ISBN:
Condition: Near Fine
2015
Out of Print
Signed
Edition:
1st numbered 44/100 in pencil on cardbox
Prior edition(s):
Hand-bound, black leather cover with a buckle clasp, in a protective card box, 118pp, 11 concertina folds, 15 x 20 cm
Condition: Near Fine

Self Published / Universidad de Cadiz

2012
with:
Edition:
1st
Edition size:
Out of Print
Other edition(s):
Hardcover without dust jacket, as issued
ISBN:
9788461585960
Condition: Near Fine -
2012

Self Published / Universidad de Cadiz

Out of Print
Signed
Edition:
1st
Prior edition(s):
Hardcover without dust jacket, as issued
Condition: Near Fine -

Print size is 13 x 15.5cm, image is 12x 12cm. Print is signed on the front, bottom edge. Print is listed in large editions inventory.

2019
with:
Edition:
3rd
Edition size:
Numbered 4/50
Signed & numbered on both the book and the print.
Out of Print
Other edition(s):
Published in 2012 & 2016.
Boards with yellow rubber band in black box with print.
ISBN:
9788409108329
Condition: Fine

This limited edition was released with the following signed print.

SPBH Books

2013
with:
Edition:
1st
Edition size:
500
Signed with personalized graffiti on cover & unique forms/receipts in book
Out of Print
Other edition(s):
Boards with immigration entry card
ISBN:
Condition: Near Fine
2013

SPBH Books

Out of Print
Signed
Edition:
1st
Prior edition(s):
Boards with immigration entry card
Condition: Near Fine

Madalena Editore

2015
with:
Edition:
1st
Edition size:
Out of Print
Other edition(s):
Hardcover without dust jacket, as issued
ISBN:
9788569557074
Condition: Near Fine

AMC ISBN. RM has another ISBN 978-8416282272

Edition:
19/300
Signed on the front bottom edge.
Year of work:
Image size:
130 x 155 mm
Print size:
120 x 120 mm
Printed in
2014
Framed size:
Provenance:
Editions Bessard
Condition:
Pristine
Literature and Collections:
Edition:
Open for 7 days in 2020
Sold Out
Year of work:
Image size:
139 x 139 mm
Print size:
152 x 152 mm
Printed in
2020
Framed size:
Provenance:
Magnum Square Prints
Condition:
Pristine

Open edition limited in time From Oct 19 to Oct 25 2020.

Literature and Collections:
Edition:
42/100
Sold Out
Signed and numbered, both at the back of the print and on the blue paper envelope used to wrap the print.
Year of work:
Image size:
15 x 20 cm
Print size:
15 x 20 cm
Printed in
2015
Framed size:
Provenance:
Editora Madalena
Digital Print
Condition:
Pristine

Print was part of the limited edition of the book Sharkification.

Literature and Collections:
edition:
42/100
Sold Out
Signed and numbered, both at the back of the print and on the blue paper envelope used to wrap the print.
Image size:
15 x 20 cm
Year of work:
No items found.
No items found.

Cristina de Middel, Spanish, b. 1975

Cristina de Middel is a celebrated conceptual photographer whose work investigates the ambiguous relationship between photography and truth. Blending documentary journalism with fictional narratives, she challenges traditional assumptions of objectivity in the medium, often highlighting how mass media can manipulate or oversimplify complex cultural realities. After working for a decade as a traditional photojournalist for various Spanish newspapers and humanitarian organizations, she pivoted toward a highly creative, staged approach to storytelling.

She gained international acclaim in 2012 with her self-published book The Afronauts, which explored the short-lived 1964 space program initiated by Zambia’s space academy founder, Edward Makuka Nkoloso. Because the historical project never achieved liftoff, de Middel chose to stage the narrative using whimsical, low-budget props, colorful space suits, and striking landscapes. The series was widely praised for dismantling Western stereotypes of Africa, offering instead a playful, nuanced reflection on hope and human ambition. The Afronauts earned her a nomination for the Deutsche Börse Photography Foundation Prize in 2013.

De Middel’s subsequent projects have continued to critique societal narratives across diverse geographies. In This is What Hatred Did (2014), she reinterpreted Amos Tutuola’s classic Nigerian novel My Life in the Bush of Ghosts, using contemporary portraits in Lagos to bridge the gap between magical realism and actual socio-political issues. Her series Sharkification applied a surrealist lens to the heavily policed favelas of Rio de Janeiro, metaphorically framing the dynamics of the area as an underwater ecosystem of predators and prey.

Her innovative contributions to the medium led to her winning the prestigious Spain National Photography Award in 2017. In 2022, de Middel was named the president of Magnum Photos, cementing her status as a leading voice in contemporary photography. Her work has been exhibited at major institutions globally, including the Rencontres d'Arles, the San Francisco Museum of Modern Art, and the Tate Modern, and her limited-edition photobooks remain highly sought after by collectors.