Ed Ruscha

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

Book images

Self Published

1970
with:
Edition:
2nd prt (1966)
Edition size:
Out of Print
Other edition(s):
Softcover accordeon binding in slipcase
ISBN:
Condition: Very Good

This is the second printing from 1970.

Book images

Self Published

1967
with:
Edition:
1st
Edition size:
Out of Print
Other edition(s):
Softcover without glassine wrapper
ISBN:
Condition: Very Good

This is the very first 1967 edition.

Self Published

1970
with:
Edition:
2nd prt (1964)
Edition size:
3000
Out of Print
Other edition(s):
Softcover in glassine DJ
ISBN:
Condition: Very Good +

Second printing,

Second printing of the book.

This is not the 2008 reprint.

This is not the 2008 Steidl reprint

Sprüth Magers / König

2015
with:
Edition:
1st
Edition size:
1500
Out of Print
Other edition(s):
Hardcover without dust jacket, as issued
ISBN:
9783000541551
Condition: Near Fine
2015

Sprüth Magers / König

Out of Print
Signed
Edition:
1st
Prior edition(s):
Hardcover without dust jacket, as issued
Condition: Near Fine
No items found.
No items found.
by
Takashi Homma

Takashi Homma

2017
with:
Edition:
1st
Edition size:
400
Out of Print
Prior edition(s):
Softcover with fabric-letters title and pink ribbon binding
ISBN:
Condition: Near Fine

Baby Cakes

2017
Out of Print
Signed
Edition:
1st
Prior edition(s):
Softcover with fabric-letters title and pink ribbon binding
Condition:
Condition: Near Fine
by
Takashi Homma

Takashi Homma

2017
with:
Edition:
1st
Edition size:
240
Out of Print
Prior edition(s):
Softcover
ISBN:
Condition: Near Fine

26 Gasoline Stations

2017
Out of Print
Signed
Edition:
1st
Prior edition(s):
Softcover
Condition:
Condition: Near Fine
by
Takashi Homma

Takashi Homma

LimArt / Yusuke Nakajima & Yoshihisa Tanaka

2015
with:
Edition:
1st
Edition size:
240
Signed
Out of Print
Prior edition(s):
Softcover
ISBN:
Condition: Fine

Thirty Four Parking Lots

2015

LimArt / Yusuke Nakajima & Yoshihisa Tanaka

Out of Print
Signed
Edition:
1st
Prior edition(s):
Softcover
Condition:
Condition: Fine

This is not the second printing/edition.

by
Takashi Homma

Takashi Homma

2019
with:
Edition:
1st
Edition size:
500
Signed
Out of Print
Prior edition(s):
Softcover leporello in slipcase
ISBN:
Condition: Near Fine

Every Building on the Ginza Strip

2019
Out of Print
Signed
Edition:
1st
Prior edition(s):
Softcover leporello in slipcase
Condition:
Condition: Near Fine

This is some of the signed copies from the 500-b&w unsigned edition, not the signed color edition of 100.

by
Takashi Homma

Takashi Homma

LimArt / Self

2022
with:
Edition:
1st
Edition size:
Out of Print
Prior edition(s):
Softcover in mylar DJ
ISBN:
Condition: Fine

Real Estate Opportunities

2022

LimArt / Self

Out of Print
Signed
Edition:
1st
Prior edition(s):
Softcover in mylar DJ
Condition:
Condition: Fine
by
Michalis Pichler

Michalis Pichler

2018
with:
Edition:
1st
Edition size:
Out of Print
Prior edition(s):
Leporello in silver case
ISBN:
9783037470930
Condition: Near Fine

Every Building on the Ginza Strip

2018
Out of Print
Signed
Edition:
1st
Prior edition(s):
Leporello in silver case
Condition:
Condition: Near Fine

Ed Ruscha, American (b. 1937, Omaha, Nebraska)


Ruscha is one of the most influential figures in postwar American art, celebrated for his pioneering contributions to Pop Art, conceptualism, and the artist’s book. Raised in Oklahoma City, he moved to Los Angeles in 1956 to study at the Chouinard Art Institute, immersing himself in the burgeoning West Coast art scene.

Ruscha first gained prominence in the early 1960s with his deadpan paintings of words and phrases, often rendered in commercial typefaces against abstracted backdrops. His cool, detached approach set him apart from his East Coast contemporaries, offering a uniquely Californian lens on language, landscape, and consumer culture.

He is perhaps best known for his artist’s books, including the seminal Twentysix Gasoline Stations (1963), which revolutionized the use of photography and serial form in printed matter. These books, often self-published, blurred the boundaries between art and documentation, and are now regarded as foundational conceptual works.

Ruscha’s visual language draws heavily on American vernacular—road signs, Hollywood iconography, suburban sprawl—and transforms it into elegant, ironic, and poetic meditations on modern life. His work is simultaneously romantic and cynical, often laced with subtle humor and existential weight.

Still active today, Ruscha lives and works in Los Angeles. His legacy extends across painting, photography, drawing, printmaking, and bookmaking, influencing generations of artists from multiple disciplines.

Ed Ruscha’s work is held in leading collections worldwide, including:

  • The Museum of Modern Art (MoMA), New York
  • The Whitney Museum of American Art, New York
  • The Metropolitan Museum of Art, New York
  • The Art Institute of Chicago
  • San Francisco Museum of Modern Art (SFMOMA)
  • Los Angeles County Museum of Art (LACMA)
  • The Getty Research Institute, Los Angeles
  • Tate Modern, London
  • Centre Pompidou, Paris
  • Stedelijk Museum, Amsterdam
  • National Gallery of Art, Washington D.C.
  • Walker Art Center, Minneapolis
  • The Broad, Los Angeles