Kazuo Kitai

Kazuo Kitai
To artist biography

Kazuo Kitai

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

Book images

Murai-sha

1965
with:
Edition:
1st
Edition size:
Signed by Kitai in Kanjis.
Out of Print
Other edition(s):
LP-sized staple-bound softcover
ISBN:
No ISBN (Self-published)
Condition: Very Good.

The shape of an LP, this is the first book by Japanese photographer Kazuo Kitai, documenting Zengakuren student protests at the Yokosuka Naval Base in 1964. Interestingly, several blurred and grainy pictures would seem to presage the work of the Provoke photographers. According to Kitai, both Daido Moriyama and Takuma Nakahira - the founders of Provoke - were huge admirers of the book. Moriyama in fact instructed his students to buy this book.

No items found.
No items found.
by
Takuma Nakahira

Takuma Nakahira

Nitesha

2018
with:
Daido Moriyama
Edition:
2nd (1968)
Edition size:
Out of Print
Prior edition(s):
3 softcovers + translation leaflet in English and Japanese
ISBN:
Condition: Fine

Provoke: Complete Reprint of 3 Volumes

2018

Nitesha

Out of Print
Signed
Edition:
2nd (1968)
Prior edition(s):
3 softcovers + translation leaflet in English and Japanese
Condition:
Condition: Fine

Reprint does not include texts by Takahiko Okada due to copyright reasons.

by
Collective

Collective

2016
with:
Edition:
1st
Edition size:
Out of Print
Prior edition(s):
Thick softcover
ISBN:
9783958291003
Condition: Near Fine

Provoke: Between Protest and Performance: Photography in Japan 1960-1975

2016
Out of Print
Signed
Edition:
1st
Prior edition(s):
Thick softcover
Condition:
Condition: Near Fine

Kazuo Kitai, born in China in 1944, is best known for his protest photography of the 1960s and 1970s. His first book Teikoh/Resistance, published in 1964 was instrumental for other both Daido Moriyama and Takuma Nakahira - the founders of Provoke.
He earned the prestigious Ihei Kimura Memorial Award for Photography for his work “Mura-e”, a year-long documentation of Japan’s rural life. In the 1980s, he concerned himself with the citizens of Osaka and Tokyo (”Shinsekai Monogatari”, “Funabashi Monogatari”). Recent years have seen him publish a regular column in Nippon Camera magazine (”Walking with Leica”) as well as a rise of public interest in his work both in Japan and overseas.