Mikhael Subotzky

Mikhael Subotzky
To artist biography

Mikhael Subotzky

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

This is not the 2024 revised edition in smaller trade format.

Edition:
92/120
Sold out from the publisher/gallery.
Signed and titled on print's recto, numbered on verso.
Year of work:
2025
Image size:
32 x 21.3 cm
Print size:
43 x 31.3 cm
Printed in
2026
Framed size:
Provenance:
Magnum
Printed on Hahnemuhle Photo Rag 308 gsm
Condition:
Pristine

This print uses Subotzky's signature sticky-tape transfer process. The artist combined two photographs by Magnum photographer Ernest Cole (1940-1990), a 1967 self-portrait and a 1971 portrait of a woman in New York City. The print reproduces the original collage onto Hahnemuhle Photo Rag paper, from which selected parts are removed from the surface using J-Lar Clear Tape to create the final work.

Literature and Collections:
edition:
92/120
Sold Out
Signed and titled on print's recto, numbered on verso.
Image size:
32 x 21.3 cm
Year of work:
2025
Edition:
Open for 7 days in 2020
Signed on back of the print.
Year of work:
2004
Image size:
140 x 140 mm
Print size:
152 x 152 mm
Printed in
2020
Framed size:
Provenance:
Magnum Square Prints
Condition:
Pristine

Edition open from april 6 to 12 2020

Literature and Collections:
No items found.
No items found.

Mikhael Subotzky, South African, b. 1981.

Subotzky is a prominent South African artist and photographer, born in 1981 in Cape Town. He first achieved international acclaim for his immersive, critical documentation of South Africa’s prison systems and marginalized social structures. His early work was deeply rooted in the documentary tradition, yet it maintained a conceptual edge that questioned the relationship between the camera and its subjects. Over time, Subotzky’s practice has evolved from traditional photography toward a more experimental deconstruction of the medium.

He is now widely recognized for his "sticky-tape transfer" process, a technique where he manually pulls layers of ink from a print using adhesive tape and reassembles them. This method allows him to literally and figuratively "break images open," turning a fixed photographic moment into a tactile, layered object that explores the intersections of history, memory, and politics. In 2011, he became a full member of Magnum Photos and has since received several of the industry's highest honors, including the Deutsche Börse Photography Prize for his collaborative project, Ponte City. His works are held in the permanent collections of major institutions such as MoMA in New York and the Victoria and Albert Museum in London.