

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:
Fulton Ryder
ByWater Editions/ Presentation House
Fulton Ryder
Fulton Ryder
JRP / Ringier
Richard Prince 1234 / Instagram Recordings (2019) is a multi-volume conceptual project by Sébastien Girard that functions as a deliberate act of "meta-appropriation," targeting the digital footprint of American appropriation artist Richard Prince.
In 2015, Richard Prince, infamous for his "New Portraits" series where he appropriated and sold other people's Instagram posts, started his own Instagram account under the handle "@richardprince1234".
Recognizing the ephemeral nature of the platform, Sébastien Girard set up an automated script to silently record and archive every single post Prince made to the account. Two years later, Prince's account was shut down. Girard took his digital archive of 2,664 deleted posts and decided to create an "analog restitution" of what he called a two-year "free concert" played by Richard Prince himself. By systematically archiving and physically publishing the personal feed of the art world's most famous appropriator, Girard created a perfect, critical loop of reappropriation.
The complete archive is divided chronologically into 12 staple-bound softcover volumes, totaling roughly 560 pages. Leaning into the "live concert" metaphor, Girard packaged each volume inside a 12-inch (33 rpm) vinyl record sleeve, complete with a protective transparent outer sleeve and sticker.
Girard used the 2,664 recorded Instagram posts to generate the album artwork. Because of the vast number of images, the covers across the edition are highly randomized and unique.
The project was entirely self-published, printed, and hand-bound by Girard in his studio in a strict limited edition of 150 copies.
Self Published
Since Richard Prince began appropriating fragments of contemporary visual culture in the late 1970s, closely associated with the Pictures Generation, he has drawn from diverse visual worlds, creating a multifaceted body of work that is primarily unified by appropriation as an artistic method. By extracting material from advertising, pop culture, or the works of other artists and making it an element of his own work, Prince questions the mechanisms and protocols of the socioeconomic systems from which it originally emerged.
For his third Texte Zur Kunst edition in 2024, Prince chose one of his "Black Bra" paintings, whose canvases are covered in lingerie. The motif of the black bra has recurred frequently in Prince's work recently, including in his latest series of Instagram screenshots, the "New Portraits," which depict influencers painting while clad only in black underwear. Prince's series highlights the back view as a particularly popular pose for social media impact. Each post is accompanied by commentary, a mix of (auto)biographical and art historical notes that forms an essential component of the work. The author is Joan Katz (handle joankatzz), with whom Prince supposedly founded a band called Black Bra in 1990. "Supposedly," because he subverts principles like authorship and originality not only through the appropriation of visuals, but also through the manipulation of identities and myths, which are as fundamental to "fame" in art and pop culture as iconic images. The motif of the "Untitled (Black Bra)" edition also graces the cover of the issue from Prince's Fulton-Ryder imprint dedicated to "New Paintings."
Richard Prince, American (b. 1949, Panama Canal Zone)
Prince is a pivotal figure in contemporary art, best known for his groundbreaking work in appropriation art. Emerging in the late 1970s and gaining prominence in the 1980s, Prince became a key part of the Pictures Generation, alongside artists like Cindy Sherman and Sherrie Levine.
He first drew attention for his re-photographed Marlboro advertisements, stripping commercial imagery of context to reveal its cultural coding. This series, titled Cowboys, would go on to define his signature method: re-contextualizing mass media to critique authorship, authenticity, and American identity.
Prince’s work spans photography, painting, and mixed media. He frequently employs ironic detachment, exploring themes like consumerism, masculinity, celebrity, and the mythology of Americana. His Nurse Paintings, based on pulp novel covers, blend high art with kitsch aesthetics and have become icons of postmodern pastiche.
Equally controversial and influential, Prince has been at the center of legal debates over fair use, particularly in his Instagram Portraits and Canal Zone series. His practice continues to probe the boundaries between original and copy, image and object.
Prince lives and works in upstate New York, where he maintains a vast studio and personal book collection. He is also a publisher and collector of rare books and ephemera, further blurring the line between artist and archivist.
Richard Prince’s work is held in numerous prominent public and private collections, including:
