Look Inside
Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:
This is NOT the April 2015 2nd printing or 3rd and 4th printing. Toning to the spine.
Alec Soth, American, b.1969
Shotographer, conceptual artist, and publisher recognized for his poetic, large-scale explorations of American life, landscapes, and subcultures. Born in Minneapolis, Minnesota, in 1969, Soth studied at Sarah Lawrence College in New York before returning to the Midwest, where he began developing a distinctive approach to the American road-trip photography tradition established by figures like Walker Evans, Robert Frank, and William Eggleston. Using a labor-intensive 8x10 large-format field camera, he pairs a meticulous, descriptive documentary precision with a deeply empathetic, introspective, and lyrical sensitivity.
Soth rocketed to international prominence with his career-defining first monograph, Sleeping by the Mississippi, published by Steidl in 2004. Developed from a series of solitary road trips along the Mississippi River, the project captured an eclectic, melancholic portrait of America’s neglected "third coast." The same year, the body of work received widespread critical acclaim when it was featured in the Whitney Biennial and São Paulo Biennial, firmly establishing Soth as a vital new voice in contemporary photography and leading to his membership with the prestigious agency Magnum Photos.
Throughout his multi-decade career, Soth has systematically investigated human isolation, community, and the poetic vulnerability of outsiders through major long-term series. In NIAGARA (2006), he trained his lens on the historic honeymoon and suicide destination to examine the intersection of romance and despair. His 2010 project Broken Manual investigated the lives of hermits, monks, and survivalists who chose to retreat entirely from modern society, while Songbook (2015) inverted this theme of isolation by examining collective gatherings and the fundamental human desire for connection across modern America. His more recent works, including A Pound of Pictures (2022) and Advice for Young Artists (2024), pivot inward to deeply interrogate the physical nature of image-making, memory, and the evolving relationship between the artist and the medium.
Beyond his practice behind the lens, Soth is highly influential as an advocate for the photobook as an independent art form. In 2008, he founded his own independent publishing house, Little Brown Mushroom, which focuses on visual storytelling and experimental small-run artist books. A recipient of a Guggenheim Fellowship in 2013, Soth has had over fifty solo exhibitions worldwide at landmark institutions including the Jeu de Paume in Paris, the Walker Art Center in Minneapolis, and the Tokyo Photographic Art Museum. His work is preserved in the permanent collections of major museums across the globe, including the Museum of Modern Art and the Whitney Museum of American Art in New York, securing his legacy as one of the most conceptually rigorous and influential visual chroniclers of his generation.
