Look Inside
Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:
In 2006, Do Ho Suh began work on a seemingly impossible project, to “make something out of nothing,” casting the negative form of a traditional Korean gate in solid acrylic resin. Portal would take nearly a decade to complete, and would provide the site for fundamental developments in Suh’s thinking on the role of both artist and museum in the 21st century, as well as the relationship between East and West.This volume tells the epic story of that process through those who made it possible. Through color illustrations and texts, it provides unique access to the typically veiled fabrication process: the process of scanning, modelling and constructing a nine-ton sculpture that would appear as if it was not there, a “living ghost image” cast from negative space.
Do Ho Suh (Korean: 서도호; Hanja: 徐道濩; born 1962) is a South Korean artist who works primarily in sculpture, installation, and drawing.
Suh is well known for re-creating architectural structures and objects using fabric in what the artist describes as an "act of memorialization." After earning a Bachelor of Fine Arts and Master of Fine Arts from Seoul National University in Korean painting, Suh began experimenting with sculpture and installation while studying at the Rhode Island School of Design (RISD). He graduated with a Bachelor of Fine Arts in painting from RISD in 1994, and went on to Yale where he graduated with a Master of Fine Arts in sculpture in 1997. He practiced for over a decade in New York before moving to London in 2010. Suh regularly shows his work around the world, including Venice where he represented Korea at the 49th Venice Biennale in 2001. In 2017, Suh was the recipient of the Ho-Am Prize in the Arts. In 2025, the Tate Modern organized a major survey exhibition of his work, letting visitors explore his large-scale installations, sculptures, videos and drawings. Suh currently lives and works in London.
Suh's work focuses on the different ways architecture mediates the experience of space. Architecture has been a key reference for the artist since the mid-1990s, even for pieces like Floor (1997–2000) that do not resemble buildings. As a result, Suh pays particular attention to the site-specificity of the work, and sensorial experience of the viewer engaging with his pieces while moving in the exhibition space. A number of his sculptures produced in the past few decades consider the possibilities for sculpture to become architecture, and vice versa. His blurring of the line between sculpture and architecture often renders architectural structures portable through material change, as exemplified by one of his most famous works Seoul Home...(1999), for which he recreated his childhood home using polyester and silk. Suh's use of fabric and paper functioning like a "second skin" makes it possible for his pieces to be folded up and transported. His material choices of rice paper, and fabric commonly found in hanbok also refer to traditional Korean art and architecture.
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