John Schott

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

Nazraeli
2014
with:
Edition:
1st SIGNED and NUMBERED 107/350
Edition size:
350
Out of Print
Other edition(s):
Hardcover with dust jacket
ISBN:
9781590053881
Condition: Near Fine
New Topographics: Photographs of a Man-Altered Landscape
Book images
George Eastman Museum
1975
with:
Lewis Baltz, Frank Gohlke, Bernd & Hila Becher, John Schott, Joe Deal, Nicholas Nixon, Henry Wessel, Stephen Shore.
Edition:
1st
Edition size:
Out of Print
Other edition(s):
Softcover
ISBN:
Condition: Very Good. Some fixing to the covers.

New Topographics: Photographs of a Man-Altered Landscape (1975) is the seminal exhibition catalog published by the International Museum of Photography at George Eastman House for the groundbreaking exhibition curated by William Jenkins.

The catalog documents a pivotal shift in 20th-century American landscape photography away from the idealized, majestic wilderness traditions of Ansel Adams and Edward Weston. Instead, it features artists who approached the modern built environment with deadpan neutrality, clinical detachment, and objective, documentary precision.

The featured photographers, Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel, systematically recorded suburban suburban sprawl, industrial parks, highway strip developments, housing developments, and motels across the American West and industrial centers.

Rather than seeking untouched natural beauty, the project examines the visual reality of human intrusion, suburban expansion, and land development. Images are characterized by a banality of subject matter, rigid geometric composition, wide-angle or large-format clarity, and an intentional lack of drama, sentimentality, or overt emotional commentary. Influenced heavily by Bernd and Hilla Becher's systematic documentation of industrial structures in Europe, the catalog emphasizes seriality, architectural forms, and comparative observation.

New Topographics fundamentally redefined how landscape photography was understood and practiced. By elevating ordinary, human-altered environments to formal art, it influenced generations of photographers and remains one of the most important intellectual and aesthetic turning points in contemporary photography.

Steidl
2010
with:
Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, Henry Wessel.
Edition:
1st
Edition size:
Out of Print
Other edition(s):
Later reprinted in 2025.
Hardcover without dust jacket, as issued
ISBN:
9783865218278
Condition: Fine

First edition about the iconic catalog of the 1975 photography show held at the IMP, at the G. Eastman House in Rochester, NY.

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John Schott, American, b. 1944

Schott is an American photographer, filmmaker, and academic whose work became widely recognized through his association with the influential New Topographics movement.  

Schott first came to prominence when his photographs were included in New Topographics: Photographs of a Man-Altered Landscape, a seminal 1975 exhibition curated by William Jenkins at the George Eastman House. He exhibited alongside renowned photographers such as Robert Adams, Stephen Shore, and Bernd and Hilla Becher, collectively signaling a shift toward unromanticized, objective views of suburban sprawl and industrial landscapes.  

In the summer of 1973, Schott drove Route 66 from the Midwest to California, sleeping in his pickup truck and photographing roadside motels and architecture with a large-format 8x10-inch Deardorff view camera. Twenty of these images were selected for the New Topographics exhibition, capturing the decay and artificial reality of pre-interstate automobile travel. The complete series was later published by Nazraeli Press as Route 66: 1973-1974.  

Following his road trip project, Schott photographed mobile home communities along the West Coast between 1975 and 1976, which was similarly published as Mobile Homes: 1975-1976.  

Beyond still photography, Schott is an accomplished filmmaker and producer. He co-directed documentaries such as America's Pop Collector (1973) and DEAL (1978), and served as the executive producer for the acclaimed 1999 PBS television series American Photography: A Century of Images.  

Schott pursued his undergraduate and graduate studies at the University of Michigan, where he studied photography under Phil Davis. In 1979, he joined the faculty at Carleton College as a professor of media and cinema studies, teaching there until his retirement in 2017.  

Today, his photographic work is held in several major public collections, including the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, and the George Eastman Museum.