Penelope Umbrico

Penelope Umbrico

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

RVB Books
2018
with:
Edition:
1st numbered 04/100
Edition size:
100
Out of Print
Other edition(s):
Loose leaves of different sizes in plastic slipcase
ISBN:
9791090306851
Condition: Near Fine -
Aperture
2014
with:
Edition:
1st SIGNED, one in 2014 at Paris Photo
Edition size:
500
Out of Print
Other edition(s):
Leporello in boards
ISBN:
9781597113199
Condition: Near Fine

One copy is signed to collector, the other one just signed.

2014
Out of Print
Signed
Edition:
1st SIGNED, one in 2014 at Paris Photo
Prior edition(s):
Leporello in boards
Condition: Near Fine
2016
Out of Print
Signed
Edition:
1st
Prior edition(s):
100 unbound pages with unique c-print enclosed in plastic sleeve
Condition: Near Fine
No items found.
No items found.

Penelope Umbrico (born 1957, Philadelphia, Pennsylvania) is an American visual artist internationally recognized for her photo-based works, installations, and digital interventions that examine the production, circulation, and consumption of images on the web and social media.

Umbrico’s practice directly aligns with the Bushwick sur Seine archive’s focus on a formalist approach to photography and mechanical reproducibility. She functions as an archivist and critical observer of mass visual culture. Rather than using a camera to capture new subjects, she utilizes existing photographic data, aggregating thousands of images uploaded to platforms like Flickr, eBay, Craigslist, and search engines. Her practice explores the following themes:

- Mechanical & Digital Reproducibility: Umbrico aggregates and re-contextualizes found visual tropes, exposing how consumer algorithms, web interfaces, and digital compression shape contemporary vision.

- Physical Materiality of Digital Media: She translates low-resolution web files and screen artifacts into physical prints, artist books, and large-scale installations, interrogating the boundary between virtual images and physical objects.

- Technical & Chromatic Aberrations: She focuses on screen glitches, camera app filters, light leaks, and printing inconsistencies to highlight the underlying mechanics of image technologies.

Key Series & Publications include:

  • Suns from Sunsets from Flickr (2006–present): Her iconic ongoing project featuring thousands of cropped suns taken from user-uploaded sunset photographs on Flickr, installed as massive grid walls of machine prints.
  • Desk Trajectories / Used Office Desks (2014): An investigation into commercial listings on Craigslist, mapping office furniture and indoor plants to examine consumer obsolescence and corporate aesthetic standardization.
  • Range (2014): A re-examination of iconic 20th-century mountain landscape photographs (by Ansel Adams, Edward Burtynsky, and others), re-photographed through modern smartphone camera filter apps and screen overlays.
  • Solar Eclipses (2016) & Out of Order (2018): Series focusing on community-sourced imagery, broken LCD displays, and technical degradation in consumer electronics.

Based in New York City, Umbrico holds an MFA from the School of Visual Arts. Her work has been exhibited at major global institutions, including the Museum of Modern Art (MoMA), the International Center of Photography (ICP), SFMOMA, the Milwaukee Art Museum, and the Daum Museum of Contemporary Art.

Her works are included in the permanent collections of MoMA, the Metropolitan Museum of Art, the Guggenheim Museum, the Los Angeles County Museum of Art (LACMA), and the San Francisco Museum of Modern Art. She is the recipient of a John Simon Guggenheim Memorial Fellowship, an Anonymous Was A Woman Award, and a New York Foundation for the Arts (NYFA) Fellowship.