Thomas Ruff

Thomas Ruff
To artist biography

Thomas Ruff

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

2019
with:
Dominique Teufen, Daniel T. Braun, Wolfgang Tillmans, Doug Fogelson, Max de Esteban, Viviane Sassen, Stefanie Seufert, Kris Scholz, Taiyo Onorato & Nico Krebs, Antje Hanebeck and Douglas Gordon
Edition:
1st
Edition size:
Out of Print
Other edition(s):
Boards with obi
ISBN:
9783735605474
Condition: Near Fine

This publication presents the Interiors series created by Thomas Ruff (born 1958) as a student at the Kunstakademie Düsseldorf in the 1970s/80s. Most of the pictures, which are simultaneously sentimental and sardonic, were taken in the petite-bourgeois apartments of family and friends in the Black Forest region.

Text by Thomas Bernhard in German and English

2012
with:
Wade Guyton, Seth Price, Kelley Walker, Spiros Hadjidjanos
Edition:
1st
Edition size:
Out of Print
Other edition(s):
Hardcover without dust jacket, as issued
ISBN:
9783868283785
Condition: Near Fine

Thomas Ruff has had an ongoing fascination with astronomy. His attempt at photographing the night sky failed due to the lack of detail captured in the pictures taken. Ruff's equipment could not render the detail he wanted as well as air and light pollution added to the difficulties of capturing the beautiful constellations. Ruff's solution was to take observation shots from the European Southern Observatory (ESO) based in the Andes in Chile.

This publication brings together for the first time the full 164 plates from the STERNE series which were carefully scanned for the publication.

One of the two limited editions of the book (each with a different print in an edition of 50). This edition came with the limited edition_02 print.

One of the two limited editions of the book (each with a different print in an edition of 50). This edition came with the print Edition_10.

Catalog printed in commemoration of the Thomas Ruff exhibition at the National Museum of Modern Art, Tokyo, and the 21st Century Museum for Modern Art, Kanazawa.

Book images
2026
with:
Daniel Arnold, John Divola, Takashi Homma, Ari Marcopoulos, Ryan McGinley, Collier Schorr, Stephen Shore, Gray Sorrenti, Thomas Ruff.
Edition:
1st
Edition size:
Out of Print
Other edition(s):
Softcover
ISBN:
Condition: Fine.

Hard Copy Zine Designed by Aaron Stern on the occasion of the exhibition held at ICP, New York in 2026 and curated by  Aaron Stern.

Featuring the work of: Daniel Arnold, David Black, John Divola, Zoë Ghertner, Takashi Homma, Jerry Hsu, Shaniqwa Jarvis, Ari Marcopoulos, Ryan McGinley, Asako Narahashi, Collier Schorr, Stephen Shore, Gray Sorrenti, Thomas Ruff, Andre D. Wagner

Edition:
29/50
Year of work:
Image size:
24 x 37 cm
Print size:
75 x 60 cm
Printed in
2001
Framed size:
Provenance:
Schellmann
Iris print on rag paper
Condition:
Pristine

Print is from a broken down series of 8 from Schellmann

Literature and Collections:
Edition:
19/50
Sold Out
Signed and numbered at the back of the print within white borders
Year of work:
2007
Image size:
40 x 45 cm
Print size:
55 x 50 cm
Printed in
2016
Framed size:
Provenance:
Whitechapel Gallery
C Print
Condition:
Pristine
Literature and Collections:
edition:
19/50
Sold Out
Signed and numbered at the back of the print within white borders
Image size:
40 x 45 cm
Year of work:
2007
Edition:
35/75
Signed
Year of work:
Image size:
Print size:
32 x 200 cm
Printed in
2009
Framed size:
Provenance:
Schellmann
Digital pigment print on leporello
Condition:
Pristine
Literature and Collections:

Another impression in this same edition is included in the Bredin Prat Foundation collection.

Edition:
146/250
Sold Out
Year of work:
2000
Image size:
36 x 23.6
Print size:
42 x 30 cm
Printed in
2002
Framed size:
53 x 41.5 cm
Provenance:
Whitechapel Gallery
C Print
Condition:
Pristine

This photograph is part of l.m.v.d.r. series. Based on the initials of renowned 20th century modernist architect Ludwig Mies Van der Rohe (1886-1969), this series began as a commission offered to Ruff in 1999-2000 in connection with the renovation of Haus Lange and Haus Esters in Krefeld, Germany. Having worked with architectural subject matter since the mid-1980s, Ruff was enlisted to photograph the Krefeld buildings as well as the Barcelona Pavilion and the Villa Tugendhat in Brno. Given the freedom to choose how the buildings would be rendered, Ruff was faced with the challenge of discovering a new way to capture these all-too-familiar and heavily documented monuments.

As in the spirit of Van der Rohe, who emphasized "not the what but the how," Ruff continues a conceptual line of how images are created. Fusing traditional elements with technological innovation, the photographs are both straight film and manipulated digital photography. Perception is of fundamental concern. By maneuvering camera angles and manipulating focus and color, Ruff heightens the reality that these are images of actual and historical sites.

In d.p.b 08, Ruff blurs the photograph and obliterates any true distinction between building and environment, mirroring the architect's ambivalence towards the traditional spatial relationship.

Literature and Collections:
Edition:
15/15
Signed and numbered on verso.
Year of work:
2016
Image size:
26.3 x 21.2 cm
Print size:
26.3 x 21.2 cm
Printed in
2016
Framed size:
Provenance:
Schellmann
Fujiflex, mounted on aluminum (Dibond)
Condition:
Pristine

The mounted print comes with its own stand.

Literature and Collections:
edition:
15/15
Sold Out
Signed and numbered on verso.
Image size:
26.3 x 21.2 cm
Year of work:
2016
Edition:
6/40
Signed on each print's verso.
Year of work:
1994/1995
Image size:
Print size:
72 x 104 cm each print
Printed in
1996
Framed size:
Provenance:
Schellmann
Silkscreen
Condition:
Pristine
Literature and Collections:
Edition:
24/45
Signed and numbered on a label affixed to the print's verso.
Year of work:
1992
Image size:
33 x 49.5 cm
Print size:
59 x 42 cm
Printed in
2002
Framed size:
Mounted
Provenance:
Schellmann
C Print mounted on forex
Condition:
Pristine

Part of the dyptich released by Schellmann in 2002 from Zeitungsfoto 071, Sterne 5.19.

Literature and Collections:
Edition:
41/45
Signed at the back of the print but NOT VERIFIED
Year of work:
Image size:
110 x 68 cm
Print size:
120 x 90 cm
Printed in
2008
Framed size:
Provenance:
Schellmann
Digital pigment print (Ditone) on photo paper
Condition:
Pristine

Print is from a set of 7.

Literature and Collections:

Aperture, Jpegs, 2009 (2-page fold, no page #) and Ruff modernism,  Kehrer 2012, detail on book cover and inside p 82

Edition:
14/50
Signed and numbered on print's verso.
Year of work:
2021/2022
Image size:
225 x 298 mm
Print size:
329 x 484 mm
Printed in
2022
Framed size:
Provenance:
Walther Koenig
Epson Archival Matte Paper
Condition:
Pristine

This is one of the two special edition prints released with the limited edition book in a cardboard slipcase.

Literature and Collections:

Another impression in this same edition is included in the Bredin Prat Foundation collection.

Edition:
29/50
Sold out from the publisher
Signed and numbered on print's verso.
Year of work:
2021/2022
Image size:
225 x 298 mm
Print size:
329 x 484 mm
Printed in
2022
Framed size:
Provenance:
Walther Koenig
Epson Archival Matte Paper
Condition:
Pristine

This is one of the two special edition prints released with the limited edition book in a cardboard slipcase.

Literature and Collections:

Another impression in this same edition is included in the Bredin Prat Foundation collection.

edition:
9/40
Sold Out
Signed and numbered on the the print's verso.
Image size:
28.2 x 40 cm
Year of work:
2025
Edition:
25/30
Each print is signed and numbered on the verso. Images for two prints provided.
Year of work:
2003
Image size:
25 x 35 cm
Print size:
40 x 50 cm
Printed in
2005
Framed size:
2 out of 8 prints are framed both 42 x 52 cm
Provenance:
Schellmann
Digital pigment print on photo rag paper
Condition:
Pristine

Set of 8 prints, each signed by the artist.

Literature and Collections:
edition:
25/30
Sold Out
Each print is signed and numbered on the verso. Images for two prints provided.
Image size:
25 x 35 cm
Year of work:
2003
Edition:
28/50
Sold Out
Signed
Year of work:
2013
Image size:
20.8 x 28 cm
Print size:
25.3 x 32.5 cm
Printed in
2014
Framed size:
Provenance:
Forschungszentrum Jülich
Imprinted on photopaper
Condition:
Pristine
Literature and Collections:
No items found.
No items found.

Thomas Ruff (b. 1958) rose to international prominence in the late 1980s as a member of the Düsseldorf School, a group of young photographers who had studied under Bernd and Hilla Becher and became known for their experimental approach to the medium and its evolving technological capabilities. Ruff in particular made a radical break with the style of his teachers, establishing a distinct approach to conceptual photography through a variety of strategies, including the use of color, the purposeful manipulation of source imagery—originally through manual retouching techniques and eventually through digital methods—and the enlargement of the photographic print to the scale of monumental painting. Working in discrete series, Ruff has since utilized these methods to conduct an in-depth examination of a variety of photographic genres, including portraiture, the nude, landscape, and architectural photography, among others. Highly influential to subsequent generations of photographers, Ruff's overarching inquiry into the "grammar of photography" accounts for not only his heterogeneous subject matter, but also the extreme variation of technical means used to produce his series, ranging from anachronistic devices to the most advanced computer simulators and covering nearly all ground in between.

In 2024, Ruff was the subject of the inaugural exhibition at Malkastenforum, the new building of the Malkasten artists’ association founded in Düsseldorf in 1848. A solo presentation of the artist’s work was on view at K20 – Kunstsammlung Nordrhein-Westfalen, Düsseldorf, in 2020–2021. Works from tableaux chinois, alongside fifteen other series dating back to 1989, were on view in Thomas Ruff: after.images – Works 1989–2020, a major solo exhibition of the artist’s work curated by Martin Germann at the National Taiwan Museum of Fine Arts, Taichung, in 2021. In 2022, Thomas Ruff: Méta-photographie was on view at the Musée d’art moderne et contemporain de Saint-Étienne Métropole (MAMC+), France. Later in 2022, a two-person exhibition, Dark Matter, featuring work by Ruff and James Welling was presented at Kunsthalle Bielefeld, Germany.

In 2018, Ruff was featured in Photography Spotlight, an exhibition at the Victoria and Albert Museum in London that celebrated the opening of the museum’s new Photography Centre. The artist created a new body of work titled Tripe as a special commission to inaugurate the space.

Ruff’s work has been the subject of solo exhibitions at prominent institutions worldwide, including Whitechapel Gallery, London (2017); The National Museum of Modern Art, Tokyo (2016; traveled to 21st Century Museum of Contemporary Art, Kanazawa, Japan); Art Gallery of Ontario, Toronto (2016); Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent (2014; traveled to Kunsthalle Düsseldorf); Haus der Kunst, Munich (2012); LWL-Landesmuseum für Kunst und Kulturgeschichte, Münster (2011); Centro de Arte Contemporáneo de Málaga, Spain (2011); Castello di Rivoli, Turin (2009); Museum für Neue Kunst, Freiburg, Germany (2009); Kunsthalle Wien, Vienna (2009); Műcsarnok Kunsthalle, Budapest (2008); Moderna Museet, Stockholm (2007); Sprengel Museum Hannover, Germany (2007); Musée d’art moderne et contemporain, Geneva (2004); and Museo Tamayo, Mexico City (2002).

In 2001–2002, Thomas Ruff: Photographs 1979 to Present opened at Staatliche Kunsthalle Baden-Baden, Germany. This major solo exhibition of the artist’s work traveled through 2004 to the Museet for samtidskunst, Oslo; Museum Folkwang, Essen, Germany; Städtische Galerie im Lenbachhaus, Munich; Irish Museum of Modern Art, Dublin; Artium Museoa: Museo de Arte Contemporáneo del País Vasco, Vitoria Gasteiz, Spain; Museu de Serralves, Porto; Tate Liverpool, England; and Ujazdowski Castle Centre for Contemporary Art, Warsaw.

Ruff’s work has been represented by David Zwirner since 2000, and in that time he has had thirteen solo exhibitions with the gallery, including numerous shows in New York (2000, 2001, 2003, 2005, 2007, 2010, 2013, 2016, and 2022), as well as exhibitions in London (2016, 2025), Hong Kong (2019), and Paris (2021).

Work by the artist is held in museum collections worldwide, including the Museum of ModernArt, New York, Art Institute of Chicago; Dallas Museum of Art; Essl Museum, Klosterneuburg, Austria; Nationalgalerie, Berlin; K20 – Kunstsammlung Nordrhein-Westfalen, Düsseldorf; The Metropolitan Museum of Art, New York; Moderna Museet, Stockholm; National Gallery of Victoria, Melbourne; National Museum of Photography, Copenhagen; Solomon R. Guggenheim Museum, New York; and Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent. Ruff lives and works in Düsseldorf.