Jungjin Lee

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Desert

Desert stands as an essential formalist investigation into vast, primordial topographies, deepening Lee's ongoing exploration of landscape as a reflective mirror for interior emotional states. Following landmark series such as Ocean and Wind, this project applies her singular visual vocabulary to the arid expanses of the American Southwest. Positioned within Lee’s broader oeuvre, the series highlights her foundational training in ceramics and photography, bridging traditional East Asian painterly sensibilities with a rigorous West Coast photographic formalism to transform desolate geographical terrain into a meditative, timeless space.

Aesthetically, the work is defined by stark tonal contrast, tactile materiality, and subtle spatial tension. Lee isolates rugged rock formations, sweeping desert floors, and barren brush, stripping away decorative detail to focus on elemental structure and raw form. Her signature process, brushing Liquid Light photosensitive emulsion directly onto handmade Korean mulberry paper, imparts a coarse, painterly texture that softens sharp physical features into quiet abstractions. The deliberate interplay between dense physical matter and sweeping negative space creates an atmospheric stillness, framing the desert not merely as a barren environment, but as a monumental venue for stillness and introspective resonance.

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Radius Books
2018
4 boards + leaflet in slipcase
ISBN:
9781942185277
Other Artists:
Book contributor(s):
Edition:
1st
Edition size:
Out of Print
Prior edition(s):
Signed on the first page of the first volume.
Condition:
Near Fine
$
308
Inquire

Desert stands as an essential formalist investigation into vast, primordial topographies, deepening Lee's ongoing exploration of landscape as a reflective mirror for interior emotional states. Following landmark series such as Ocean and Wind, this project applies her singular visual vocabulary to the arid expanses of the American Southwest. Positioned within Lee’s broader oeuvre, the series highlights her foundational training in ceramics and photography, bridging traditional East Asian painterly sensibilities with a rigorous West Coast photographic formalism to transform desolate geographical terrain into a meditative, timeless space.

Aesthetically, the work is defined by stark tonal contrast, tactile materiality, and subtle spatial tension. Lee isolates rugged rock formations, sweeping desert floors, and barren brush, stripping away decorative detail to focus on elemental structure and raw form. Her signature process, brushing Liquid Light photosensitive emulsion directly onto handmade Korean mulberry paper, imparts a coarse, painterly texture that softens sharp physical features into quiet abstractions. The deliberate interplay between dense physical matter and sweeping negative space creates an atmospheric stillness, framing the desert not merely as a barren environment, but as a monumental venue for stillness and introspective resonance.

‍

Jungjin Lee

Icon for no cover picture available yetDesert

Desert

2018
Edition:
1st
Prior edition(s):
4 boards + leaflet in slipcase
ISBN:
9781942185277
Condition:
Near Fine
Out of Print
Signed on the first page of the first volume.
Picture(s) of signatures and/or recto
No items found.
$
308
Inquire

Desert stands as an essential formalist investigation into vast, primordial topographies, deepening Lee's ongoing exploration of landscape as a reflective mirror for interior emotional states. Following landmark series such as Ocean and Wind, this project applies her singular visual vocabulary to the arid expanses of the American Southwest. Positioned within Lee’s broader oeuvre, the series highlights her foundational training in ceramics and photography, bridging traditional East Asian painterly sensibilities with a rigorous West Coast photographic formalism to transform desolate geographical terrain into a meditative, timeless space.

Aesthetically, the work is defined by stark tonal contrast, tactile materiality, and subtle spatial tension. Lee isolates rugged rock formations, sweeping desert floors, and barren brush, stripping away decorative detail to focus on elemental structure and raw form. Her signature process, brushing Liquid Light photosensitive emulsion directly onto handmade Korean mulberry paper, imparts a coarse, painterly texture that softens sharp physical features into quiet abstractions. The deliberate interplay between dense physical matter and sweeping negative space creates an atmospheric stillness, framing the desert not merely as a barren environment, but as a monumental venue for stillness and introspective resonance.

‍