Look inside
Originally part of a larger portfolio which Adams published as The New West in 1974, these 40 images were not included in that publication and are presented here for the first time, sequenced in a new series titled Commercial/Residential.
"To what extent can we love the developing American West? We know the urgency of that question because bitterness has sometimes made us exiles. My first attempt to describe the region in a book (The New West, 1974) omitted pictures that might have helped. I am grateful now to be able to reproduce them. They record a geography that is still in some respects characteristic, one where we could do better but where the rest is faultless.
At about the time I took the pictures I read an interview with Raoul Coutard, Jean-Luc Godard’s cameraman. In it Coutard noted with gratitude that ‘daylight has an inhuman faculty for always being perfect.’ It is one of the mercies, I believe, by which each of us is allowed to live." - Robert Adams, from Commercial/Residential
Originally part of a larger portfolio which Adams published as The New West in 1974, these 40 images were not included in that publication and are presented here for the first time, sequenced in a new series titled Commercial/Residential.
"To what extent can we love the developing American West? We know the urgency of that question because bitterness has sometimes made us exiles. My first attempt to describe the region in a book (The New West, 1974) omitted pictures that might have helped. I am grateful now to be able to reproduce them. They record a geography that is still in some respects characteristic, one where we could do better but where the rest is faultless.
At about the time I took the pictures I read an interview with Raoul Coutard, Jean-Luc Godard’s cameraman. In it Coutard noted with gratitude that ‘daylight has an inhuman faculty for always being perfect.’ It is one of the mercies, I believe, by which each of us is allowed to live." - Robert Adams, from Commercial/Residential