John Baldessari

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Millenium Piece (Cup) 1999

Edition:
12/25
Sold out from gallery or publisher
Signed
C Print
Condition:
Pristine
Sold Out
Image size:
35 x 35 cm
Print size:
41 x 41 cm
Framed size:
44 x 44 cm
Dimensions:
x
"
Provenance:
Blind Spot
Year of work:
1999
Printed in
2010
$
2760
Inquire
Currently on hold
$
2760
(incl. shipping)
Currently on hold
Note: prints larger or higher than 17" are custom-shipped.
Please inquire about shipping methods & costs.

Millenium Piece (Cup) (1999) operates as a playful, subversive intersection of everyday domestic utility and conceptual art, extending Baldessari's lifelong interrogation of semiotics, consumer objects, and institutional art spaces into the realm of functional multiples. Rather than presenting a traditional sculptural object, Baldessari repurposes an ordinary consumer commodity, a ceramic mug, transforming it into a witty vehicle for conceptual critique and mass dissemination.

Visually, its clean, utilitarian ceramic form juxtaposed with signature conceptual text or minimalist graphic intervention, subverts the traditional sanctity of the art object by embedding it within a familiar, tactile format. The interplay of smooth porcelain and stark typographic or pictorial elements establishes a distinct conceptual friction, questioning the boundaries between high art and everyday consumer goods.

John Baldessari

Icon for no cover picture available yetMillenium Piece (Cup) 1999
SOLD
Copyright ©
John Baldessari
or applicable right holders.

Millenium Piece (Cup) 1999

Edition:
12/25
Sold out by gallery or publisher
Signed
Signed
Image size:
35 x 35 cm
Print size:
41 x 41 cm
Frame size:
44 x 44 cm
Provenance:
Blind Spot
Year of work:
1999
C Print
Printed in:
2010
$
2760
Inquire
Currently on hold
Note: prints larger than 18" are custom-shipped. Inquire about shipping methods & costs.
All images ▶
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Millenium Piece (Cup) (1999) operates as a playful, subversive intersection of everyday domestic utility and conceptual art, extending Baldessari's lifelong interrogation of semiotics, consumer objects, and institutional art spaces into the realm of functional multiples. Rather than presenting a traditional sculptural object, Baldessari repurposes an ordinary consumer commodity, a ceramic mug, transforming it into a witty vehicle for conceptual critique and mass dissemination.

Visually, its clean, utilitarian ceramic form juxtaposed with signature conceptual text or minimalist graphic intervention, subverts the traditional sanctity of the art object by embedding it within a familiar, tactile format. The interplay of smooth porcelain and stark typographic or pictorial elements establishes a distinct conceptual friction, questioning the boundaries between high art and everyday consumer goods.

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