Thomas Demand

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Pile (Stapel) 2001-2002

Edition:
17/45
Sold out from gallery or publisher
Signed
Lambda Prints
Condition:
Pristine
Sold Out
Image size:
56.5 x 44+47 x 50 cm
Print size:
2 prints of each 50 x 60 cm
Framed size:
56.5 x 66.5 cm each
Dimensions:
x
"
Provenance:
Schellmann
Year of work:
2001-2002
Printed in
2002
$
7080
Inquire
Currently on hold
$
7080
(incl. shipping)
Currently on hold
Note: prints larger or higher than 17" are custom-shipped.
Please inquire about shipping methods & costs.

Thomas Demand’s Pile (Stapel) captures an ephemeral, towering stack of printer paper and documents, meticulously reconstructed entirely out of paper and cardstock in his studio before being photographed.

The work is characterized by clean architectural geometry, a muted palette, and an uncanny absence of organic wear or dust, reflecting Demand's signature sterile precision. By transforming disposable office waste and reams of paper into a permanent,  staged photographic artifact, he examines the accumulation of ephemera and the physical systems of labor that quietly structure modern studio practice.

Thomas Demand

Icon for no cover picture available yetPile (Stapel) 2001-2002
SOLD
Copyright ©
Thomas Demand
or applicable right holders.

Pile (Stapel) 2001-2002

Edition:
17/45
Sold out by gallery or publisher
Signed
Signed
Image size:
56.5 x 44+47 x 50 cm
Print size:
2 prints of each 50 x 60 cm
Frame size:
56.5 x 66.5 cm each
Provenance:
Schellmann
Year of work:
2001-2002
Lambda Prints
Printed in:
2002
$
7080
Inquire
Currently on hold
Note: prints larger than 18" are custom-shipped. Inquire about shipping methods & costs.
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Thomas Demand’s Pile (Stapel) captures an ephemeral, towering stack of printer paper and documents, meticulously reconstructed entirely out of paper and cardstock in his studio before being photographed.

The work is characterized by clean architectural geometry, a muted palette, and an uncanny absence of organic wear or dust, reflecting Demand's signature sterile precision. By transforming disposable office waste and reams of paper into a permanent,  staged photographic artifact, he examines the accumulation of ephemera and the physical systems of labor that quietly structure modern studio practice.

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