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Garry Winogrand
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Another impression of this photograph is in the collection of the Art Institute of Chicago (Reference 1984.1591) and University of Michigan Museum of Art (UMMA), Accession No. 1981/2.65.3.
Litterature: Winogrand 1964, Arena Editions, 2002; Figments from the Real World ; Museum of Modern Art, 1988, p. 136; Garry Winogrand, SFMOMA / Yale University Press, 2013; Garry Winogrand: Fifteen Photographs (Double Elephant Press, 1974); New Documents, MOMA, 2013, p 129 (wrongly labeled Wyoming 1865); Robert Adams, Art Can Help, Yale, 2021.
Another impression of this photograph is in the collection of the Art Institute of Chicago (Reference 1984.1591) and University of Michigan Museum of Art (UMMA), Accession No. 1981/2.65.3.
Litterature: Winogrand 1964, Arena Editions, 2002; Figments from the Real World ; Museum of Modern Art, 1988, p. 136; Garry Winogrand, SFMOMA / Yale University Press, 2013; Garry Winogrand: Fifteen Photographs (Double Elephant Press, 1974); New Documents, MOMA, 2013, p 129 (wrongly labeled Wyoming 1865); Robert Adams, Art Can Help, Yale, 2021.
Utah 1964 is a iconic gelatin silver print by American street photographer Garry Winogrand, made during his seminal cross-country road trip funded by a Guggenheim Fellowship in 1964.
After receiving a Guggenheim grant to record "American life," Winogrand spent months driving across the United States. This trip yielded some of his most celebrated compositions, capturing the post-war American social landscape at a moment of cultural transition.
The image is central to his posthumous monograph 1964 (Fraenkel Gallery / Arena Editions), which showcases his definitive perspective on 1960s Americana.
The image features Winogrand’s signature wide-angle perspective and tilted horizon line, conveying immediacy, speed, and the spontaneity of life on the open road. Typical of his formalist eye, the composition balances vast, austere desert topography with human presence and domestic infrastructure, capturing the stark tension between the natural environment of the American West and human encroachment.
Another impression of this photograph is in the collection of the Art Institute of Chicago (Reference 1984.1591) and University of Michigan Museum of Art (UMMA), Accession No. 1981/2.65.3.
Litterature: Winogrand 1964, Arena Editions, 2002; Figments from the Real World ; Museum of Modern Art, 1988, p. 136; Garry Winogrand, SFMOMA / Yale University Press, 2013; Garry Winogrand: Fifteen Photographs (Double Elephant Press, 1974); New Documents, MOMA, 2013, p 129 (wrongly labeled Wyoming 1865); Robert Adams, Art Can Help, Yale, 2021.
Utah 1964 is a iconic gelatin silver print by American street photographer Garry Winogrand, made during his seminal cross-country road trip funded by a Guggenheim Fellowship in 1964.
After receiving a Guggenheim grant to record "American life," Winogrand spent months driving across the United States. This trip yielded some of his most celebrated compositions, capturing the post-war American social landscape at a moment of cultural transition.
The image is central to his posthumous monograph 1964 (Fraenkel Gallery / Arena Editions), which showcases his definitive perspective on 1960s Americana.
The image features Winogrand’s signature wide-angle perspective and tilted horizon line, conveying immediacy, speed, and the spontaneity of life on the open road. Typical of his formalist eye, the composition balances vast, austere desert topography with human presence and domestic infrastructure, capturing the stark tension between the natural environment of the American West and human encroachment.