John Baldessari

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Stairway, Coat and Person, 2011

Edition:
9/120
Sold out from gallery or publisher
Signed and numbered on a label affixed to the print's verso.
Archival inkjet print on wove paper
Condition:
Mild handling dents with light creasing throughout the sheet
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Image size:
Print size:
508 x 405 mm
Framed size:
unframed
Dimensions:
x
"
Provenance:
CCA Wattis Institute
Year of work:
2011
Printed in
2011
$
1200
Inquire
Currently on hold
$
1200
(incl. shipping)
Currently on hold
Note: prints larger or higher than 17" are custom-shipped.
Please inquire about shipping methods & costs.

Stairway, Coat and Person, 2011 is a quintessential conceptual exploration of perception, identity erasure, and the fragmentation of the photographic image. Rooted in Baldessari’s signature methodology of disrupting narrative legibility through strategic color blocking, the work juxtaposes architectural geometry with the playful yet jarring concealment of human subjects.

Visually, the composition is defined by the sharp, linear structure of the staircase contrasted against vibrant, flat fields of primary color that physically block out portions of the figures and environment. This interplay between the monochromatic photographic grain and the bold, opaque geometric interventions creates a distinct spatial and conceptual tension, questioning how we decode visual information and human presence.

John Baldessari

Icon for no cover picture available yetStairway, Coat and Person, 2011
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Copyright ©
John Baldessari
or applicable right holders.

Stairway, Coat and Person, 2011

Edition:
9/120
Sold out by gallery or publisher
Signed and numbered on a label affixed to the print's verso.
Signed
Image size:
Print size:
508 x 405 mm
Frame size:
unframed
Provenance:
CCA Wattis Institute
Year of work:
2011
Archival inkjet print on wove paper
Printed in:
2011
$
1200
Inquire
Currently on hold
Note: prints larger than 18" are custom-shipped. Inquire about shipping methods & costs.
All images ▶
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Stairway, Coat and Person, 2011 is a quintessential conceptual exploration of perception, identity erasure, and the fragmentation of the photographic image. Rooted in Baldessari’s signature methodology of disrupting narrative legibility through strategic color blocking, the work juxtaposes architectural geometry with the playful yet jarring concealment of human subjects.

Visually, the composition is defined by the sharp, linear structure of the staircase contrasted against vibrant, flat fields of primary color that physically block out portions of the figures and environment. This interplay between the monochromatic photographic grain and the bold, opaque geometric interventions creates a distinct spatial and conceptual tension, questioning how we decode visual information and human presence.

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