
Another impression of this print is in the collection of the National Gallery of Art, DC (Accession # 2015.19.4168).

This image captures one of the central scenes from Larry Fink’s seminal series and 1984 monograph, Social Graces.
Shot at the iconic Manhattan venue Tavern on the Green, the image exemplifies Fink’s exploration of wealthy urbanites and high-society galas. The print also demonstrates Fink’s signature lighting technique. By using a handheld, off-camera flash, he strips away the soft, romantic ambiance of the venue, casting stark side-lighting that illuminates glittering attire, facial expressions, and candid physical gestures against deep dark backgrounds.
Rather than creating promotional or flattering event portraits, Fink captures the awkwardness, fatigue, and theatricality underlying elite social gatherings, offering a razor-sharp, empathetic critique of social class and prestige.
Another impression of this print is in the collection of the National Gallery of Art, DC (Accession # 2015.19.4168).
This image captures one of the central scenes from Larry Fink’s seminal series and 1984 monograph, Social Graces.
Shot at the iconic Manhattan venue Tavern on the Green, the image exemplifies Fink’s exploration of wealthy urbanites and high-society galas. The print also demonstrates Fink’s signature lighting technique. By using a handheld, off-camera flash, he strips away the soft, romantic ambiance of the venue, casting stark side-lighting that illuminates glittering attire, facial expressions, and candid physical gestures against deep dark backgrounds.
Rather than creating promotional or flattering event portraits, Fink captures the awkwardness, fatigue, and theatricality underlying elite social gatherings, offering a razor-sharp, empathetic critique of social class and prestige.