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SOLD
Copyright ©
Lee Fiedlander
or applicable right holders.
Poster
Another impression of this print is in the permanent collection of the Whitney Museum, NY (accession # P.2011.140).
Another impression of this print is in the permanent collection of the Whitney Museum, NY (accession # P.2011.140).
Lee Friedlander’s Baton Rouge, 1998 demonstrates his characteristic mastery of complex urban topography and vernacular American space. Captured during his extensive explorations of the American social landscape, the composition structures a dense layering of signage, architectural fragments, and urban infrastructure that confounds simple spatial depth.
The work reflects Friedlander's signature approach, using reflections, framing devices, and chaotic visual clutter to transform an ordinary street scene into an intricate puzzle of modern iconography. By organizing seemingly haphazard elements into a rigorous graphic grid, the image highlights the pervasive commercial layers shaping the contemporary southern cityscape.
Within his broader oeuvre, this piece reinforces his lifelong commitment to documenting the vernacular textures of America, bridging his early street photography with his later, highly focused studies of trees, monuments, and built environments.
Lee Friedlander’s Baton Rouge, 1998 demonstrates his characteristic mastery of complex urban topography and vernacular American space. Captured during his extensive explorations of the American social landscape, the composition structures a dense layering of signage, architectural fragments, and urban infrastructure that confounds simple spatial depth.
The work reflects Friedlander's signature approach, using reflections, framing devices, and chaotic visual clutter to transform an ordinary street scene into an intricate puzzle of modern iconography. By organizing seemingly haphazard elements into a rigorous graphic grid, the image highlights the pervasive commercial layers shaping the contemporary southern cityscape.
Within his broader oeuvre, this piece reinforces his lifelong commitment to documenting the vernacular textures of America, bridging his early street photography with his later, highly focused studies of trees, monuments, and built environments.
Another impression of this print is in the permanent collection of the Whitney Museum, NY (accession # P.2011.140).
