Trine Søndergaard

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Interior #2, 2007

Edition:
5/5
Sold out from gallery or publisher
Signed
Chromogenic print
Condition:
Pristine
Sold Out
Image size:
60 x 60 cm
Print size:
same
Framed size:
unframed
Dimensions:
x
"
Provenance:
Bruce Silverstein
Year of work:
2007
Printed in
$
6840
Inquire
Currently on hold
$
6840
(incl. shipping)
Currently on hold
Note: prints larger or higher than 17" are custom-shipped.
Please inquire about shipping methods & costs.
Literature & Collections:

Published p 117 of Stasis bu Cantz - 2014

Trine Søndergaard’s Interior #2 (2007) operates as a poignant exploration of domestic space, silence, and psychological interiority. Stemming from her celebrated series investigating uninhabited spaces, the work captures empty rooms stripped of human presence, transforming architectural documentation into an inquiry on memory, absence, and temporal stillness.  

Visually, the composition is defined by a muted, desaturated color palette, soft ambient light, and rigorous geometric framing. The interplay of open doorways and receding sightlines establishes a quiet spatial depth, drawing the viewer's eye through successive layers of domestic architecture while emphasizing the quiet permanence of the built environment.

Within Søndergaard’s broader oeuvre, this piece is significant for its formalist restraint and its meditation on the psychological weight of places. A theme which is very much aligned with the BSS collection's focus.

Trine Søndergaard

Icon for no cover picture available yetInterior #2, 2007
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Copyright ©
Trine Søndergaard
or applicable right holders.

Interior #2, 2007

Edition:
5/5
Sold out by gallery or publisher
Signed
Signed
Image size:
60 x 60 cm
Print size:
same
Frame size:
unframed
Provenance:
Bruce Silverstein
Year of work:
2007
Chromogenic print
Printed in:
$
6840
Inquire
Currently on hold
Note: prints larger than 18" are custom-shipped. Inquire about shipping methods & costs.
All images ▶
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Trine Søndergaard’s Interior #2 (2007) operates as a poignant exploration of domestic space, silence, and psychological interiority. Stemming from her celebrated series investigating uninhabited spaces, the work captures empty rooms stripped of human presence, transforming architectural documentation into an inquiry on memory, absence, and temporal stillness.  

Visually, the composition is defined by a muted, desaturated color palette, soft ambient light, and rigorous geometric framing. The interplay of open doorways and receding sightlines establishes a quiet spatial depth, drawing the viewer's eye through successive layers of domestic architecture while emphasizing the quiet permanence of the built environment.

Within Søndergaard’s broader oeuvre, this piece is significant for its formalist restraint and its meditation on the psychological weight of places. A theme which is very much aligned with the BSS collection's focus.

Literature & Collections:

Published p 117 of Stasis bu Cantz - 2014