Thomas sauvin

No signature or recto pictures
Print photos

Beijing Silvermine, Archive no. E-0414-11

Image from the Beijing Silvermine project, an archive of nearly one million negatives salvaged over the past 14 years from a recycling plant in Beijing.

Since 2009, French collector and artist Thomas Sauvin has rescued discarded negatives that were destined for destruction. His Beijing Silvermine archive, one of the largest archival projects in China, now comprises more than 850,000 anonymous photographs dating from 1985 to 2005. The project offers a unique reconstruction of everyday analogue photography in China, creating a visual platform for cross-cultural exchange while reshaping our collective memory of the recent past.

‍

Edition:
100
Sold out from gallery or publisher
Signed
C-Print
Condition:
Pristine
Sold Out
Image size:
23 x 18 cm
Print size:
20 x 25 cm
Framed size:
Unframed
Dimensions in inches:
" x
"
Provenance:
Kominek
Year of work:
Printed in
2026
$
0
Inquire
Currently on hold
$
0
(incl. shipping)
Currently on hold
Note: prints larger or higher than 17" are custom-shipped.
Please inquire about shipping methods & costs.

Thomas sauvin

Icon for no cover picture available yetBeijing Silvermine, Archive no. E-0414-11
SOLD
Copyright ©
Thomas sauvin
or applicable right holders.

Beijing Silvermine, Archive no. E-0414-11

Edition:
100
Sold out by gallery or publisher
Signed
Signed
Image size:
23 x 18 cm
Print size:
20 x 25 cm
Frame size:
Unframed
Provenance:
Kominek
Year of work:
C-Print
Printed in:
2026
$
0
Inquire
Currently on hold
Note: prints larger than 18" are custom-shipped. Inquire about shipping methods & costs.
Print Pictures
No items found.

Image from the Beijing Silvermine project, an archive of nearly one million negatives salvaged over the past 14 years from a recycling plant in Beijing.

Since 2009, French collector and artist Thomas Sauvin has rescued discarded negatives that were destined for destruction. His Beijing Silvermine archive, one of the largest archival projects in China, now comprises more than 850,000 anonymous photographs dating from 1985 to 2005. The project offers a unique reconstruction of everyday analogue photography in China, creating a visual platform for cross-cultural exchange while reshaping our collective memory of the recent past.

‍

Literature: