Thomas Sauvin

Thomas Sauvin

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

Jiazazhi Press
2015
with:
Edition:
1st
Edition size:
1000
Signed
Out of Print
Other edition(s):
A larger reprint of 2000 was also released in 2015, followed by multiple reprints thereafter.
Cigarette-pack-size box
ISBN:
9789881263193
Condition: Near Fine

Until Death Do Us Part (2015) is a conceptual photobook by French collector and editor Thomas Sauvin, published by Jiazazhi Press. It is one of the most recognizable publications to emerge from Sauvin's monumental Beijing Silvermine project, an archive of over half a million salvaged 35mm negatives recovered from a recycling plant on the outskirts of Beijing.

The book documents a highly specific, quirky tradition at Chinese weddings. As a token of appreciation, the bride must light a cigarette for every male guest in attendance. The sequence progresses to show the bride and groom participating in increasingly inventive and bizarre cigarette-smoking games orchestrated by their guests.

By isolating these candid, vernacular snapshots, Sauvin creates a visual narrative that juxtaposes the celebratory atmosphere of matrimony with the toxic reality of chain-smoking, paying homage to a tradition where "love and death walk hand in hand".

2015
Out of Print
Signed
Edition:
1st
Prior edition(s):
A larger reprint of 2000 was also released in 2015, followed by multiple reprints thereafter.
Cigarette-pack-size box
Condition: Near Fine
RVB Books
2022
with:
Edition:
1st
Edition size:
50
With Signed print
Out of Print
Other edition(s):
Boards with print
ISBN:
9782492175213
Condition: Near Fine
RVB Books
2025
with:
Thomas Sauvin, Karel de Mulder
Edition:
2nd
Edition size:
Out of Print
Other edition(s):
496-page softcover
ISBN:
9782492175473
Condition: Fine

Distilled from over 15.000 family albums, Incomplete Encyclopedia of Touch archives the human desire to put a hand on things. Whether it's cars, boats, animals, trees, fridges, bridges, bushes, fellow humans or even their graves ' everything that can be touched will be touched. Containing only 2.948 photos, this collection is far from ever being finished but provokes questions about the underlying motivations behind this universal pictorial behavior. Do we seek connection? Do we claim ownership? Or do we just want to measure ourselves to the objects of our world? Perhaps you could ask yourself these questions, next time you strike a touching pose.

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Thomas Sauvin (born 1983 in Paris, France) is a French artist, editor, and photography collector whose practice is rooted in vernacular imagery and archival intervention. Based between Paris and Beijing, his work explores the history of popular analogue photography by rescuing and recontextualizing discarded material.

His reappropriation approach is central to the Bushwick Sur Seine collection, anchoring the work in a formalist approach to photography rather than purely conceptual frameworks. By systematically acquiring, editing, and publishing found negatives originally destined for destruction, Sauvin investigates the mechanics of photographic reproduction, collective memory, and the physical life cycle of the printed image.

His most significant undertaking is the Beijing Silvermine, an archive encompassing over 850,000 anonymous color negatives salvaged from a silver nitrate recycling plant on the outskirts of Beijing. Spanning the period from 1985 to 2005, this project documents China’s rapid economic transition and the widespread adoption of consumer film cameras. Rather than treating these snapshots as mere historical artifacts, Sauvin curates them into rigorous typologies that highlight structural repetitions, aesthetic patterns, and the formal qualities of everyday photography.

Through his self-published and collaboratively produced photobooks, Sauvin transforms rescued negatives into highly tactile, formalized print objects:

  • Until Death Do Us Part (2015) A small, meticulously designed volume, packaged in an actual Shuangxi cigarette box—that documents the tradition of Chinese brides lighting cigarettes for male wedding guests.
  • 17 18 19 (2019) Printed with metallic silver ink on black paper to mimic the negative form and the silver extraction process, this book investigates discarded film from police department photographers.
  • Silvermine Albums (2013) A set of five photo albums that categorizes vernacular imagery into distinct visual typologies, reflecting the serial nature of mass photographic reproduction.
  • ME TV (2014) Co-edited with Erik Kessels, this small volume features eight hand-inserted physical photographic prints that present a surreal vernacular typology of an anonymous woman holding an identical pose, with only her brightly colored jumpers and the TV broadcast changing from frame to frame

Sauvin’s interventions have been exhibited globally, including at the Centre Pompidou and the Victoria & Albert Museum, fundamentally elevating the status of anonymous, mechanically reproduced imagery within the contemporary photographic canon.